Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postscript on the Societies of Control," by Gilles Deleuze; "Marcel Duchamp's 'Monte Carlo Bond Machine,'" by David Joselit; "Oedipus Exploded: Pasolini and the Myth of Modernization," by Cesare Casarino; "The Art of Hitler," by Steven Kasher; "The Curse of the Pharaoh, or How Cinema Contracted Egyptomania," by Antonia Lant. ... [details]
Edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Essays " "I shall Be with You on Your Wedding-Night" : Lacan and the Uncanny," by Mladen Dolar; "Vampires, Breast-Feeding, and Anxiety," by Joan Copec; "Grimaces of the Real, or When the Phallus Appears," by Slavoj Žižek; "Quiet Revolution. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Sartre's Screen Projection Freud," by Gertrud Koch; "Convulsive Identity," by Hal Foster; "There's Always Tomorrowland: Disney and the Hypercinematic Experience," by Scott Bukatman; "'Makulakul'tura': Reprocessing Culture," by Nancy Condee and Vladimir Padunov; "Museum Highlights: A Gallery Talk," by Andrea Fraser; "Tourism and the Semiotics of Nostalgia," by John Frow; "Replies to Benjamin Buchloh on Conceptual Art," by Seth Siegelaub; "Reply to Joseph Kosuth and Seth Siegelaub," by Benjamin Buchloh. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H. ... [details]
Edited by Joan Copjec, Rosalind Krauss, and Annette Michelson. Essays "On Equivocation (Between Literature and Politics)," by Denis Hollier; "For the Record: Adorno on Music," by Thomas Y. Levin; "The Curves of the Needle," "The Form of the Phonograph Record," "Opera and the Long-Playing Record," by Theodor Adorno; "Track Organology," by Douglas Kahn; "Reading Africa Through Foucault: V. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Body's Shadow Realm," by Gertrud Koch; "Looking Awry," by Slavoj Žižek; "The Sartorial Superego," by Joan Copjec; "Spectacle, Attention, Counter-Memory," by Jonathan Crary; "The Rock 'n' Roll Ghost," by Andrew Ross. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Some Functions of Feminist Criticism, or The Scandal of the Mute Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. ... [details]
"OCTOBER: The First Decade, 1976 - 1986 brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Philosophy and/as Film and/as if Philosophy," by Arthur C. Danto; "Reading Hitchcock," by Fredric Jameson; "The Anxiety of the Influencing Machine," by Joan Copjec; "Documenting the Left," by Stuart Liebman; "The Formalist's Dreyer," by Nick Browne; "Address to the Heathen," by Noël Carroll. [details]
