Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. Larsen; "Imagineering: An Introduction to Bricolage by Japanese Women Artists," by Yoshiaki Tono; "The Realists: The Birth of the World and the Cinema in the Films of the Brothers Taviani," by Vittorio Boarini; "Torn Together: Ching Ho Cheng's Unrepeatable Abstractions," by Gert Schiff. Reviews by Glenn O'Brien, Donald Kuspit, John Howell, Donald Kuspit, Jean Fisher, Suzaan Boettger, Thomas McEvilley, Ronny Cohen, Jeanne Silverthorne, John Yau, Patricia C. Phillips, Lisa Liebmann, Ed Hill, Suzanne Bloom, Linda Burnham, Colin Gardner, Bill Berkson, Gloria Moure, Pier Luigi Tazzi, Barbara Maestri, Max Wechsler, Annelie Pohlen, Paul Groot, Stuart Morgan, and Lars Nittve. Cover: Paolo and Vittorio Taviani.