Edited by Douglas Crimp, Rosalind Krauss, Annette Michelson, and Joan Copjec. Essays "The Body and the Archive," by Allan Sekula; "The Legs of the Countess," by Abigail Solomon-Godeau; "The Freudian Subject, from Politics to Ethics," by Mikkel Borch-Jacobsen; "The Antidote," by Yve-Alain Bois. [details]
Issue edited by John Wilcock. Cover photo "Waldo Ballard and Friend," by Shunk Kender. Essays "I Might Get Busted if I Join the Union but I Don't Want to Go to Vietnam : Interview with Andy Stapp"; "Under Shelley's Poet's Tree," by Tuli; graphic by Tadanori Yokoo; "Filthy Limericks," by Michael O'Donoghue; "Il Corpo il Suo d'Intorno, Anche," by Gianni Emilio Simonetti; "Underground Cinema Eroticism & Visual Poetry Supplement," by Gerard Malanga; "Out-Takes," by Liza Williams; stills from "Lovemaking" by Stan Brakhage and "Fuck" by Andy Warhol; "Untitled Calligraphy" illustration by Angus MacLise; centerfold collage by Charles Henri Ford; "How to Dispose of Garbage," by Jane Jacobs; "The Warm Gun in the Great Depression," by John Peck; " 'Pretty Boy' Floyd," by Sam & Janet Evening; "Weird Wedding Practices," by Leonid Mikhailov; "Penis Tax : A New Way for the Government to Screw You," by Jay Gaulding; rear wrapper comic "The Beauty and the Beat," by Cuti. [details]
Exhibition catalogue published in conjunction with show held March 9 - May 12, 1996. Essay by Peter Weiermair. Artists include Ajamú, Pep Agut, Dieter Appelt, Nobuyoshi Araki, Dominique Auerbacher, Aziz + Cucher, John Baldessari, Lewis Baltz, Oladélé Ajiboyé Bamgboyé, Ellen Brooks, Christopher Bucklow, Heinz Cibulka, Hannah Collins, Thomas Joshua Cooper, John Coplans, Gianluca Cosci, Gregory Crewdson, Hans Danuser, Lynn Davis, Max Dean, Thomas Demand, Stan Denniston, Rineke Dijkstra, Gerald Domenig, John Patrick Dugdale, Lukas Einsele, Jane Eisenmann, Olafur Eliasson, Barbara Ess, Alain Fleischer, Michel François, Adam Fuss, Jean Louis Garnell, Gilbert & George, Akira Gomi, Paul Graham, Angela Grauerholz, Andreas Gursky, Robert F. ... [details]
"This book makes available a series of documents concerning the attempt by a United States Government Agency (the General Services Administration) to remove and thereby destroy Richard Serra's Tilted Arc, a sculpture at Federal Plaza, New York City. ... [details]
Exhibition catalogue published in conjunction with show held October 21, 2007 – February 23, 2008 at the Jacobs Building and October 21, 2007 – April 13, 2008 at 1001 Kettner. Essays by Robert Irwin and Hugh M. ... [details]
Reference text of compiled essays on produced in conjunction with exhibition held November 7, 1989 - January 7, 1990. Essays by Marianne Stockebrand, Winfried Reckermann, James Rosenquist, Gary Kuehn, Harald Szeemann, Rainer Jacobs, Hans Böhning, Tom Bills, Bodo Vogl, Jan Leven, Ursula Wevers, Berni Etzold, Keith Sonnier, Andreas Vowinckel, Rudolf Zwirner, Ingo Fessmann, David Reed, Joseph Marioni, David Rabinowitch, Holger Bunk, Franz Wanner, Walter Vitt, Helga Möller, Axel Hinrich Murken, Paul Maenz, Peter Ludwig, Wulf Herzogenrath, Renate Puvogel, Laurie Parsons, Elisabeth Brockmann, Larry Bell, Günter Umberg, and Steven Parrino. ... [details]
Issue edited by Al Goldstein. Cover art by Mike Kanarek. Essays "Screw You," by Al Goldstein; "Confessions of a College Professor : Holes of Ivy," by Rossell Ford; " ' This Is My Rifle, This Is My Gun. ... [details]
Volume two of the two-volume catalogue published in conjunction with exhibition at Sonsbeek Park, Arnhem, June 19 - August 15, 1971. Includes supplementary information for Part 1, as well as a bibliography of exhibition documentation. ... [details]
First volume of the two-volume catalogue published in conjunction with exhibition held at Sonsbeek Park, Arnhem, June 19 - August 15, 1971. Sonsbeek Park had been the site of international sculpture exhibitions periodically from 1949. ... [details]
Facsimile of book of photographs originally published in 1962. "The only autonomous collection of Jack Smith's photographs to appear during his lifetime, 'The Beautiful Book' comprises 19 hand-tipped black-and-white contact prints (2 1/4 x 2 1/4 inches), originally published in an edition of 200 copies. ... [details]
