Issue edited by John Coplans. Essays "Franz Kline's Romantic Abstraction," by Harry F. Gaugh; "Robert Cumming's Eccentric Illusions," by Patricia G. Foschi; "Roberto Rossellini and Historical Neorealism," by Tag Gallagher; "Francis Bacon: The Authority of Flesh," by Donald Kuspit; "Rosemarie Castoro: Working Out," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Institution: Whitney Annual," by Lawrence Alloway; "16 Whitney Museum Annuals of American Painting, Percentages 1950-72," by Leon Golub; "Yes! Says Arakawa," by Joseph Masheck; "Eadweard Muybridge: Fragments of a Tesseract," by Hollis Frampton; "Ferdinand Hodler: Expressionism Versus Symbolism," by Robert Pincus-Witten; "Roughly Ordered Thoughs on the Occasion of the Bruce Nauman Retrospective in Los Angeles," by Peter Plagens; "2D/3D," by Leon Golub; "Women Choose Women," by April Kingsley; "Unconscious Formalism, A Response to Andre's Note on the Bechers," by Joe Masheck; "Kandinsky: 'On the Artist'," by Wassily Kandinsky; "An Interview with Emile de Antonio," by Tanya Neufeld; "Joseph Kosuth: 2 Shows," by Bruce Boice. ... [details]
Issue edited by John Coplans. Essays "Donald Burgy: Participating in the Universe," by Robert J. Horvitz; "Three Swiss Painters," by Robert Pincus-Witten; "On Giacommetti," by Andrew Forge; "Robert Morris: the Complication of Exhaustion," by Jeremy Gilbert-Rolfe; "Jean Vigo's 'Taris'," by Bill Simon; "The Provincialism Problem," by Terry Smith; "Judy Chicago, Talking to Lucy R. ... [details]
Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Issue edited by John Coplans. Essays "Mark di Suvero," by Carter Ratcliff; "Digressions on the Photographic Agony," by Hollis Frampton; "Robert Smithson's Development," by Lawrence Alloway; "Atget's Trees," by Max Kozloff; "Jungian Aspects of Jackson Pollock's Imagery," by Judith Wolfe; "Eva Hesse: Last Words," by Robert Pincus-Witten; "Man Ray as Film Maker," by Steven Kovács; "The Venice Film Festival," by Manny Farber and Patricia Peterson; "Book Review," by lawrence Alloway. ... [details]
Tenth Anniversary Issue edited by John Coplans. Essays "Network: The Art World Described as a System," by Lawrence Alloway; "The Trouble with Art-as-Idea," by Max Kozloff; "Talking at Pomona," by David Antin; "A View of Modernism, " by Rosalind Krauss; "Notes on Patronage: the 1960s," by Francis V. ... [details]
Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
