Issue edited by Ingrid Sischy. Books: Alexandra Anderson on "Earthworks and Beyond"; Maurice Berger on "Ficciones, The Painting of Modern Life" and "The Real World of the Impressionists"; Greil Marcus on "Correspondence Art, Forbidden Dreams, James Dean, The Rap Attack, and Return Engagement"; David Salle on "Gemini G. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. ... [details]
Issue edited by Ingrid Sischy. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Esthetics and Loss: AIDS," by Edmund White; "Imi Knoebel's Triangle: The Ecology of Nonobjectivity," by Donald Kuspit; "The Mirror Turned Lamp: Lily Tomlin and Jane Wagner defy the Forces of Gravity," by C. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Issue edited by Ingrid Sischy. Essays "Museum Piece: On the Job," by Jan Hoet; "Ground Up: Dresser and Bureaus of Internal Affairs," by Herbert Muschamp; "Like Art: H-h-h-heads and Tails," by Glenn O'Brien; "Speaker to Speaker: S--f-censorship," by Greil Marcus; "What in the World: Missing Sign Language," by Andrew Solomon; "Production Values: Tinkering with Toys," by Dan Cameron; "On Location: At Noriyuki Haraguchi's Studio on Tokyo Bay," by Kazue Kobata; "Customs: A Roman Correspondent Observes a New York Instituition," by Ida Panicelli; "A Canvas of Episodes: Mazel Tov," by Frederic Tuten; "The Dictatorship of Clement Greenberg: A Critic Looks at a Critic," by Kay Larson; "The Adventure of the Third Essay: In Which We Lose Our Bearings and Gain Our Freedom. ... [details]
Issue edited by Ingrid Sischy. Essays "Not Utopia: Jan Vercruysse: The Present Unclosed," by Pier Luigi Tazzi; "Three's a Company: James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala Talk Talkies," by Anthony Korner; "Baptism: A Project for Artforum," by Jeff Koons; "Renovating the New: The Art of Lucio Fontana," by Jole de Sanna; "Black and White Light: Getting Home in Charcoal and Pastel," by John Yau; "Artist Envy: The Art of Interpretation and its Interpretation of the Artist," by Donald Kuspit; "A Song to the Avant-Garde: 'Tadeusz Kantor and the Duck, Robert Wilson Riding Hood, Un Mélange de Styles,' and Six More Plays by Kenneth Koch Here Staged on the Page in a Project for Artforum by Larry Rivers"; Book Preview: The sounds of Silents. ... [details]