Issue edited by Ingrid Sischy. Essays "Max Beckmann is Still in Exile," by Kenneth Baker; "Climbing Up a Ramp to Discover German Art," by Annelie Pohlen; "Steven Campbell: The Case of the Waggling Leg," by Stuart Morgan; "Eluding Definition," by Kate Linker; "A. ... [details]
Issue edited by Ingrid Sischy. Essays "Light," photographs by Joel Meyerowitz; "Light," watercolors by Agnes Martin; "A Light Opportunity," editorial by Edit deAk and Ingrid Sischy; "A Light Compass"; "Northern Lights," by Per Kirkeby and Komar and Melamid; "Eastern Lights, Western Lights," by Francesco Clemente, Eiko Ishioka, Gerhard Richter, Pat Place, and Linda Yablonsky; "Southern Lights," by Nicola De Maria and Peter Magubane; "Shadow Captions. ... [details]
Issue edited by Ingrid Sischy. Essays "Letters: On 'Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art' at the Museum of Modern Art in 1984;'" "Jonathan Borofsky: What Kind of Fool Is This?," by Jeanne Silverthorne; "Paul Delvaux's Imagination," by Ronny Cohen; "Too Much and/or Not Enough: A Note on Howard Hodgkin," by Kenneth Baker; "Kids R Us or Viva Poland or Laudable Odds and Ends," by Barbara Kruger; "The Dead and the Quick," by Greil Marcus; "Many Farber and Landscape," by Kevin Parker; "From the Night of Consumerism to the Dawn of Simulation," by Rosetta Brooks; "Forum," by Jeanne Silverthorne. ... [details]
Issue edited by Ingrid Sischy. Essays "Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka," by Charles Hagen; "Inside Out," photographs by Peter Campus; "Child's Play: The Late Work of Elie Nadelman," by Klaus Kertess; "Andy Warhol: Inflation Artist," by Carter Ratcliff; "Cosmic Visions from North and South," by Annelie Pohlen; "Bread and Circuses," by Stuart Morgan; "Books: Greil Marcus on 'Our Lives and Our Children,'" by Greil Marcus; "Books: Frederic Tuten on 'The Innocent Eye,'" by Frederic Tuten; "Short Cut, Fast Lane," by Greil Marcus; "Forum: What a Legend Becomes," by John Howell. ... [details]
Issue edited by Ingrid Sischy. Essays "Double Vision in Space City: 'The Houston School' of Barbara Rose and Susie Kalil; William Camfield's Houston Artists," by Thomas McEvilley; "American Medical Association," a project by Ida Applebroog; "Robert Morris, a Saint Jerome for Our Times," by Carter Ratcliff; "Richard Wentworth's Ad Hoc Esthetics," by Stuart Morgan; "Robert Smithson's Early Work - A Resurrection," by Stuart Morgan; "What's Natural?," A Conversation between Joseph Love and Jo Kondo; "American Prayers," by Kim Gordon; "John Duff's perfect Sculpture," by Donald Kuspit; "Endless Meaning at the Hirshhorn," by Roberta Smith; "Corrupting the Absolute," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Books: Alexandra Anderson on "Earthworks and Beyond"; Maurice Berger on "Ficciones, The Painting of Modern Life" and "The Real World of the Impressionists"; Greil Marcus on "Correspondence Art, Forbidden Dreams, James Dean, The Rap Attack, and Return Engagement"; David Salle on "Gemini G. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Inventing Pangaea, Jon's and Ginzel's Whole-earth Recipe"; "Ground Up," by Herbert Muschamp; "Like Art: The Star-spangled Pitch," by Glenn O'Brien; "The Cave: Local Technicolor," by Wolfram Schutte; "Object: Abracadabra, The Magic Space of Supple Geometry," by Seigow Matsuoka; "Slant: On Success and Pittsburgh's 1985 Carnegie International," by Donald Kuspit; "Modern Life: The Manet Tapes and More Recent Dupes," by Carter Ratcliff; "Speaker to Speaker: The Clash find the Sound of Silence, Plus the 1985 Top Ten," by Greil Marcus; "Ask Not What: The Kennedys, the Camera, and Us," by Thomas McEvilley; "Earth Angles: Michael Heizer's Sculpture at Buffalo Rock, A New Species of Life for Trampled Soil," by Klaus Kertess; "Blinky Palermo: Abstract Medicine for the Senses," by Donald Kuspit; "The Stridentists: Excavating a Forgotten Avant-garde; the Revolutionary Forebears of Mexico's Muralists," by Serge Fauchereau; "Hungary by Heart: A Trip with André Kertész," by Sylvia Plachy; "Project for Artforum: Two Moods," by Sylvia Plimack Mangold. ... [details]