"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
Exhibition catalogue published in conjunction with show held March 13 - September 26, 2005. Curated by Klaus Biesenbach, Alanna Heiss, Glenn Lowry, Bob Nickas, Amy Smith-Stewart and Ann Temkin. Introduction and text by Klaus Biesenbach. ... [details]
Single sided card / announcement published in conjunction with show held January 18 - February 8, [1992]. Curated by Ralph Rugoff. Artists included Chris Burden, Jessica Diamond, Georg Herold, Ilya Kabakov, Mike Kelley, Komar and Melamid, John Miller, Cady Noland, Raymond Pettibon, Jeffrey Vallance, William Wegman and Jim Shaw. [details]
Exhibition catalogue published in conjunction with show held May 7 - August 13, 1989. Text by Mary Jane Jacob, Ann Goldstein, Ann Rorimer, and Howard Singerman. Artists featured in exhibition are Richard Baim, Judith Barry, Ericka Beckman, Gretchen Bender, Dara Birnbaum, Barbara Bloom, Troy Brauntuch, Sarah Charlesworth, Jack Goldstein, Jenny Holzer, Larry Johnson, Ronald Jones, Mike Kelley, Jeff Koons, Barbara Kruger, Louise Lawler, Thomas Lawson, Sherrie Levine, Robert Longo, Allan McCollum, Matt Mullican, Peter Nagy, Stephen Prina, Richard Prince, Cindy Sherman, Laurie Simmons, Haim Steinbach, Mitchell Syrop, James Welling, and Christopher Williams. ... [details]
Exhibition catalogue published in conjunction with show held at The Renaissance Society at The University of Chicago, Chicago, Illinois, May 6 - June 27, 1987. Traveled to Newport Harbor Art Museum, Newport Beach, California, January 24 - March 20, 1988. ... [details]
Exhibition catalogue published in conjunction with show held at Museum of Contemporary Art Chicago, Chicago, February 11 - June 3, 2012. Traveled to Institute of Contemporary Art/Boston, Boston, June 30 - September 30, 2012; Walker Art Center, Minneapolis, October 26, 2012 - January 27, 2013. ... [details]
Exhibition catalogue published in conjunction with show held at the Institute for Contemporary Art, P.S.1 Museum, Long Island City, New York, December 16, 1990 -February 10, 1991. Traveled to the John and Mable Ringling Museum od Art, Sarasota, Florida, April 5 - May 26, 1991 ; Des Moine Art Center, Iowa, July 12 - September 1, 1991 ; Mills College Art Gallery ; Oakland, California, November 10 - December 22, 1991 ; and the Los Angeles County Museum orf Art, March 26 - May 31, 1992. ... [details]
Exhibition catalogue published in conjunction with show held at the Institute for Contemporary Art, P.S.1 Museum, Long Island City, New York, December 16, 1990 -February 10, 1991. Traveled to the John and Mable Ringling Museum od Art, Sarasota, Florida, April 5 - May 26, 1991 ; Des Moine Art Center, Iowa, July 12 - September 1, 1991 ; Mills College Art Gallery ; Oakland, California, November 10 - December 22, 1991 ; and the Los Angeles County Museum orf Art, March 26 - May 31, 1992. ... [details]
Exhibition catalogue published in conjunction with show organized by James Corcoran Gallery in cooperation with Shoshana Wayne Gallery and Pence Gallery, Santa Monica, California. "The First Generation, 1940-1962," held at James Corcoran Gallery; "The Second Generation: The Narrative, 1957 - 1987," held at Shoshana Wayne Gallery; and "The Second Generation: Form and Idea, 1960 - 1987," held at Pence Gallery. ... [details]
"This publication reunites Mike Kelley's major interviews with artists and cultural figures such as AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, and John Waters, outlining, in the same manner as his critical essays, an artistic genealogy that draws its references from American popular culture, scientific and historical research, and the inhibitions of Western society. ... [details]
