Hubert Damisch's work of critical theory "The Origin of Perspective," translated from the French by John Goodman. "In part a response to Panofsky's 'Perspective as Symbolic Form,' 'The Origin of Perspective' is much more. ... [details]
Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp. Special issue focusing on photography. Text by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. [details]
This issue of Trans> incorporates a loose multiple by Paul McCarthy, which is a 27 x 21 cm. sheet of gum, with an image of an angry Santa Claus on it. Issue also contains projects by Janet Cardiff, Minerva Cuevas, Olafur Eliasson, Lee Mingwei. ... [details]
Large-scale exhibition catalogue published in conjunction with retrospective show held January 21 - April 19, 1982. Text by Dominique Bozo, William Rubin, Barbara Rose, Hubert Damisch, Flavio Caroli, Georges Raillard, Marcelin Pleynet, Daniel Abadie, E. ... [details]
Exhibition catalogue published in conjunction with shows held Kunstforum Wien, August 30 - October 20, 1991. Traveled to Museum der Bildenden Künste, Budapest, June 4 - August 2, 1992. Edited by Ingried Brugger and Klaus Albrecht Schröder, with essays by Matthias Boeckl, Brigitte Borchhardt - Birbaumer, Dieter Ronte, Robert Fleck, Burghart Schmidt. ... [details]
Publication of the journals of Eugène Delacroix from 1822 to 1863. Preface by Hubert Damisch and introduction and notes by André Joubin. Includes family tree, index of names and works. Printed in black-and-white. ... [details]
Publication of the journals of Eugène Delacroix from 1822 to 1863. Preface by Hubert Damisch and introduction and notes by André Joubin. Includes family tree, index of names and works. Printed in black-and-white. ... [details]
Exhibition for traveling exhibition held at Société des Expositions du Palais des Beaux-Arts Bruxelles, July 8 - September 5, 1999 ; Cinémathèque Royale, Bruxelles, August - September 1999 ; Centre National de la Photographie, Paris, January 26 - March 20, 2000 ; Centre pour l'Image Contemporaine, Genève, April 12 - June 18, 2000. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "The Duchamp Defense," by Hubert Damisch; "A Conversation about Glacial Deocy," by Trisha Brown and Yvonne Rainer; "A Portfolio of Photographs of Trisha Brown's Work," by Babette Mangolte; "The Function of the Studio," by Daniel Buren; "Preliminary Notes on the Pragmatic of Works: Daniel Buren," by Jean-François Lyotard; "Richard Serra's Films: An Interview," by Annette Michelson, Richard Serra, and Clara Weyergraf; "Vision in Process," by Birgit Pelzer; "Earthwords," by Craig Owens. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Film Review from Sur," by Jorge Luis Borges; "Reading Delacroix's Journal," by Hubert Damisch; "Nebula, The Powered Sugar Princess," by Joseph Cornell; "Silently, by Means of a Flashing Light," by Thomas Lawson; "The New Adventures of the Avant-Garde in America," by Serge Guilbaut; "The Significance of Literature: The Importance of Being Earnest," by Joel Fineman; "The Photographic Activity of Postmodernism," by Douglas Crimp; "Jump over the Bauhaus," by Rosalind Krauss. [details]
