Collected writings of Peter Halley, includes "Beat, Minimalism, New Wave and Robert Smithson," "Notes on Painting," "Against Postmodernism : Reconsidering Ortega," "Ross Bleckner : Painting at the End of History," "Nature and Culture," "The Crisis in Geometry" and more. [details]
Double sided announcement published to announcement the representation of Chris Buren by Josh Baer Gallery and Kent Fine Art, New York. [details]
Artist's book by McDermott & McGough [David McDermott, Peter McGough] published in conjunction with joint exhibitions held at Massimo Audiello Gallery and Pat Hearn Gallery, New York, 1986. Introduction by Edit deAk. [details]
"The starting point for the book was a box containing a number of photographs which Christian Boltanski found at the flea market. They show Geo Harly, a little-known artist aof the pre-war period, during a performance and with his mother and brother: a clown in his professional and private life, a mediocre artist but nice guy" --from Christian Boltanski: Catalogue: Books, Printed Matter, Ephemera 1966-1991. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Uneven Development: Public Art in New York City," by Rosalyn Deutsche; "Homeless Vehicle Project," by David V. Lurie and Krzysztof Wodiczko; "Conversations about a Project for a Homeless Vehicle," by Daniel, Krzysztof, Oscar, and Victor; "Walter Benjamin and the Theory of Art History," by Thomas Y. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Why Kluge?," by Stuart Liebman; "On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge," by Stuart Liebman; "The Public Sphere and Experience: Selections," by Oskar Negt and Alexander Kluge; "Word and Film," by Edgar Reitz, Alexander Kluge, and Wilfried Reinke; "Why Should Film and Television Cooperate? Selections from New Stories, Notebooks 1 - 18: "The Uncanniness of Time," by Alexander Kluge; "An Analytic Storyteller in the Course of Time," by Andreas Huyssen; " "What is Different is Good": Women and Femininity in the Films of Alexander Kluge," by Heide Schlüpmann; "On Negt and Kluge," by Fredric Jameson; "Reinventing the Nickelodeon: Notes on Kluge and Early Cinema Alexander Kluge: Filmography," by Miriam Hansen; "Alexander Kluge: Selected Videography," "Alexander Kluge: Selected Publications in Chronological Order," "Selected Bibliography of Writings About About Alexander Kluge," "Acknowledgements," by Stuart Liebman. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Techniques of the Observer," by Jonathan Crary; "The Ends of Art according to Beuys," by Eric Michaud; "Joseph Beuys, or The Last of the Proletatians," by Thierry de Duve; "Haacke, Broodthaers, Beuys," by Stefan Germer; "The Sound of O in Othello: The Real of the Tragedy of Desire," by Joel Fineman; "Lacan's Psychoanalysis, or The Figure in the Screen," by Shoshana Felman; "Reproducing Nature: The Museum of Natural History as Nonsite," by Ann Reynolds. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Philosophical Brothel," by Leo Steinberg; "The Word of God: "I am dead,' " by Denis Hollier; "Foucault's Art of Seeing," by John Rajchman. [details]
Essay by Allen Ginsberg. Edited by Raymond Foye and Francesco Clemente. [details]
![NAU EM I ART BILONG YUMI [3 Coins]](/objects/images/s18277.jpg "NAU EM I ART BILONG YUMI [3 Coins]")