Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S. ... [details]
Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. ... [details]
![Journal [LAICA Journal]](/objects/images/s38872.jpg "Journal [LAICA Journal]")
August-September 1975 issue of Journal, edited by Peter Clothier. Contents include: "Editorial Comment," by Peter Clothier; "'We the People,' a Proposal," by Joyce Shaw; "Thoughts Toward Two Art Pieces," by David MacDermott; "Up from the Hole," by Tom Edwards; "Cast Aspersions," by Tim Spain; "Libra Piece," by David Antin; "Of What Use Are They: Women in Industry," by Barbara T. ... [details]
Exhibition catalogue published in conjunction with show held November 14 - December 21, 1980. Text by Lucy Lippard and Margaret Harrison. Publication incorporates artists' projects by Suzanne Lacy, Leslie Labowitz, Nicole Croiset, Nil Yalter, Sue Richardson, Monica Ross, Kate Walker, Margaret Harrison, Candace Hill-Montgomery, Jenny Holzer, Alexis Hunter, Maria Karras, Mary Kelly, Margia Kramer, Loraine Leeson, Beverly Naidus, Adrian Piper, Martha Rosler, Miriam Sharon, Bonnie Sherk (the Farm), Nancy Spero, May Stevens, Mierle Laderman Ukeles, and Marie Yates. ... [details]
Exhibition catalogue published in conjunction with show held at the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, January 15–April 3, 2011. Traveled to the Nasher Museum of Art at Duke University, Durham, North Carolina, August 25–December 5, 2011. ... [details]
Artist's book incorporating three postal works by Martha Rosler: "A Budding Gourmet," "McTowers Maid," and "Tijuana Maid." "This is a book of three novels and one translation. In their original form the novels were sent through the mail as postcard series, one card about every five to seven days. ... [details]
"Martha Rosler is one of the most iconoclastic and politically motivated artists of her generation. Most of the encounters that unfold in Rosler's works originate in seemingly ordinary scenes of domestic life or everyday activities such as shopping, watching the news, reading the newspaper, or traveling. ... [details]
Single fold exhibition brochure published in conjunction with a site specific installation held September 2 - November 7, 1994. Curated and with an introduction by Elaine A. King and an excerpted interview between Martha Rosler and Marjorie Welish. ... [details]
Single sided card / announcement published in conjunction with the 1981 publication of "Martha Rosler : 3 Works," the first in The Press of the Nova Scotia College of Art and Design's Pamphlet series. [details]
"In this book photographer and critic Martha Rosler braids together three classic, newly relevant pieces tracing the ways in which photography's aesthetic conventions and social practices fail or succeed in generating socially meaningful work--work that not only takes into account the political conditions within which it was produced and assumes social and political responsibility but also activates the viewer. ... [details]
