The inaugural issue of XXIst Century Magazine published in Winter 1990 / 1991. Edited by Gini Alhadeff. Essays "Do the Wrong Thing: The Significance of Mr. Lee," by Christopher Hutchins; "Dirty Toys: Mike Kelley Interviewed," by Ralph Rugoff; "Ahh. ... [details]
Issue number 3 of Shiny International, edited by Michael Friedman. Contents include: interview with Eiko Ishioka by Tim Tucker and Steven Hall; interview with Mike Kelley by Ed Smith; interview with Fetchin Bones by Michael Friedman; interview with Arthur Russell by Todd Eberle; interview with Steve Poleskie by Steven Hall; Prose by Dennis Cooper, Peter Cherches, and Cheri Fein; poetry by Ron Padgett, Joe Brainard, Brad Gooch, David Trinidad, Eileen Myles, Jeffrey Jullich, Sal Salasin, and Tom Savage; and "Photo Features" a portfolio by Allen Ginsberg, Fashion photography by Roméo / Latty with fashion by Brian Early, and band photographs by Todd Eberle of Hugo Largo, Zeitgeist, and Wednesday Week. ... [details]
Textless monograph / print portfolio prospectus published by Patrick Painter in conjunction with Ed Ruscha's exhibition at the United States Pavilion of the 51st Venice Biennial, 2005. [details]
Exhibition catalogue published in conjunction with show held at Kunstmuseum Winterthur, Switzerland, August 31 - November 24, 2002. Traveled to Yale Center for British Art, New Haven, CT, in the Spring of 2004. ... [details]
Towards a general bibliography of texts on the history of textiles from the fifteen century through the 1990s and based on the Library and Archives of the Center for Social Research on Old Textiles [CSROT}. ... [details]
Hanging wall calendar style artist's book by John Baldessari composed of artworld parables with paired non-sequitur photographs on opposing top to bottom pages. Texts in English, German, Italian, and French. [details]
March 1974 issue of Opus International focusing on Marcel Duchamp. Articles include "Etant donné Marcel Duchamp 1) Individualiste révolutionnaire 2) respirateur," by Alain Jouffroy; "Bi lingual ography I and Marcel," by Man Ray; "Qu'y a-t-il dans un mot?," by Arturo Schwarz; "Statue de Mot pour Marcel," by Robert Cordier; "Les Symboles chez Marcel Duchamp," by Jindrich Chalupecky; "Duchamp á New York: Le Grand Oeuvre," by Kim Levin; "Etant Donnés: La derniére oeuvre de Duchamp," Nicolas Calas; "Entendre John Cage, entendre Duchamp," dialogue avec Alain Jouffroy; "L'utilité d'un passé déterminé," by Allan Kaprow; "Hommage á Marcel Duchamp: A Balcony Piece," by Michael Kirby; :Le Château de la Pureté," by Octavio Paz; "36 Questions á Daniel Pommereulle autour de Duchamp," by Jean-Clarence Lambert; "Le Ready-Made, ou la fausse réconcilation d l'art et de la vie," by Alain Roussel; "Trois Fenêtres," by Ben; "Le Roman-momie de la Mariée," by Gerard Durozoi; Persistent et Signent," by Gerald Gassiot-Talabot; "Comment s'en débarrasser, ou un an plus tard," by Gilles Aillaud, Arroyo, Recalcati; "Post-Scriptum," by Gilles Aillaud; "M. ... [details]
Critical text by Jorge Glusberg published following a workshop held at Palazzo Grassi in 1979, hosted by New York University and the Center of Art and Communication of Buenos Aries. Chapters in publication include "A prehistory of the genre," "The rise of happening," "Body Art and Performances," "Body discourse," "Signs and open codes," "The liberation of languages," "The reality of desire," "Kaprow, Beuys and Fluxus today," and "Appendix: L'Art Corporel" authored by Gregory Battcock. ... [details]
Double sided postcard published in conjunction with showing of the film by "'Topless Cellist' Charlotte Moorman" by Howard Weinberg and Nam June Paik on Channel 13, May 16, 1995. [details]
Exhibition catalogue published in conjunction with show held in 1989. Text by Denis Diderot in German. Includes a checklist of the exhibition as well as a loose slipped in facsimile card of a Tuttle drawing describing how works are to be shown in the corners of the gallery. ... [details]
