Exhibition catalogue published in conjunction with the last physical exhibition mounted by Seth Siegelaub in his gallery, held January 5 - 31, 1969. Publication including three to four pages of exhibited works by Robert Barry, Douglas Huebler, Joseph Kosuth and Lawrence Weiner. ... [details]
Exhibition catalogue for exhibition that did not take place outside the printed catalogue. I.E. a purely conceptual exhibition. Each artist was provided with a single page within the catalogue, representing a single day in the month of March 1969. ... [details]
This "Agreement form has been drafted by Bob Projansky, a New York lawyer, after my [Siegelaub] extensive discussions and correspondence with over 500 artists, dealers, lawyers, collectors, museum people, critics and other concerned people involved in the day-to-day workings of the international art world. ... [details]
Towards a general bibliography of texts on the history of textiles from the fifteen century through the 1990s and based on the Library and Archives of the Center for Social Research on Old Textiles [CSROT}. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Special edition of Studio International featuring Seth Siegelaub and Robert [Bob] Projansky's "Artists' Reserved Rights Transfer and Sale Agreement" and essay by Siegelaub describing the Agreement's background and its application. ... [details]
An impressive book in which Seth Siegelaub reconnects with artists he engaged with in the late 1960s within the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]
September 1971 issue of Museumjournaal. Issue incorporates a slipped in 8 page supplement titled "Artist's Resered Rights Sale Agreement / Concept Contract Voor de Verkoop van Kunstwerken," with texts by Seth Siegelaub in English and J. ... [details]
Exhibition catalogue published in conjunction with show held May 19 - June 19, 1969, and symposium held June 17, 1969 via telephone hook-up form New York, Ottawa and Burnaby. Short texts by the artists in the exhibition describing their work. ... [details]
Perhaps one of the most revered artist's publication of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site specific project for the publication. ... [details]