MARCH 1969 [aka : One Month]

Seth Siegelaub, Terry Atkinson, Michel Baldwin, Robert Barry, Rick Barthelme, N.E. Thing Co., James Lee Byars, John Chamberlain, Ron Cooper, Barry Flanagan, Alex Hay, Douglas Huebler, Robert Huot, Stephen Kaltenbach, Joseph Kosuth, Christine Kozlov, Richard Long, Robert Morris, Claes Oldenburg, Dennis Oppenheim, Allen Ruppersberg, Robert Smithson, Dewain Valentine, Lawrence Weiner, Ian Wilson

Exhibition catalogue for exhibition that did not take place outside the printed catalogue. I.E. a purely conceptual exhibition. Each artist was provided with a single page within the catalogue, representing a single day in the month of March 1969. ... [details]

The Artist's Reserved Rights Transfer and Sale Agreement

[First Printing / English Edition]

Bob Projansky, Seth Siegelaub

This "Agreement form has been drafted by Bob Projansky, a New York lawyer, after my [Siegelaub] extensive discussions and correspondence with over 500 artists, dealers, lawyers, collectors, museum people, critics and other concerned people involved in the day-to-day workings of the international art world. ... [details]

Bibliographica Textilia Historiae : Towards A General Bibliography On The History Of Textiles Based On The Library And Archives Of The Center For Social Research On Old Textiles (Csrot)

Seth Siegelaub

Towards a general bibliography of texts on the history of textiles from the fifteen century through the 1990s and based on the Library and Archives of the Center for Social Research on Old Textiles [CSROT}. ... [details]

Studio International

Vol. 180, No. 924 (July / August 1970)

Seth Siegelaub, David Antin, Dan Graham, Harold Cohen, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier, Germano Celant, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penono, Emilio Prini, Pistoletto, Gilberto Zorio, Michel Claura, Daniel Buren, Charles Harrison, Keith Arnatt, Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, Victor Burgin, Barry Flanagan, Joseph Kosuth, John Latham, Reolof Louw, Lucy R. Lippard, Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme, Hans Strelow, Jan Dibbets, Hanne Darboven

This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]

Studio International

Vol. 181, No. 932 (April 1971)

Seth Siegelaub, Robert [Bob] Projansky, Jeremy Rees, Jonathan Benthall, Peter Wollen, Andrew Higgens, John Elderfield, Raoul Hausmann, Peter Kuttner, Antoni Miralda, Dorothée Selz, Peter and Klara Hautmann, John Walker, Dore Ashton, Daniel Buren, Maurice Tuchman, John Latham

Special edition of Studio International featuring Seth Siegelaub and Robert [Bob] Projansky's "Artists' Reserved Rights Transfer and Sale Agreement" and essay by Siegelaub describing the Agreement's background and its application. ... [details]

The Context of Art, The Art of Context : 1969 - 1992 Project

Seth Siegelaub, Marion Fricke, Roswitha Fricke, Giovanni Anselmo, Art & Language, Terry Atkinson, John Baldessari, Robert Barry, Bernd & Hilla Becher, Lynda Benglis, Mel Bochner, Alighiero e Boetti, Daniel Buren, Victor Burgin, Donald Burgy, Eugenia Butler, James Lee Byars, John Chamberlain, Ron Cooper, Paul Cotton, Jan Dibbets, Ger van Elk, Esther Ferrer, Rafael Ferrer, Hamish Fulton, Gilbert & George, Dan Graham, Giorgio Griffa, Hans Haacke, Alex Hay, Douglas Huebler, Robert Huot, Richard Jackson, Alan Jacquet, Neil Jenney, Stephen Kaltenbach, On Kawara, Michael Kirby, Joseph Kosuth, Gary Kuehn, David Lamelas, Sol LeWitt, Bernd Lohaus, Brice Marden, David Medalla, Mario Merz, Robert Morris, Doug Ohlson, Dennis Oppenheim, Eric Orr, Giuseppe Penone, Adrian Piper, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Charles Ross, Allen Ruppersberg, Edward Ruscha, Reiner Ruthenbeck, Robert Ryman, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Sladden, Keith Sonnier, Richard Tuttle, Timm Ulrichs, De Wain Valentine, Bernard Venet, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Ian Wilson

An impressive book in which Seth Siegelaub reconnects with artists he engaged with in the late 1960s within the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]

Museumjournaal

Serie 16, No. 4 (September 1971)

Seth Siegelaub, J.C. Smithuijsen, Cor Blok, Piet van Daalen, Hans Sizoo, Jan Donia, Frans Haks, Evert van Straaten, Tito Cruls, Joost Baljeu, J. Leering, Geert van Beijeren

September 1971 issue of Museumjournaal. Issue incorporates a slipped in 8 page supplement titled "Artist's Resered Rights Sale Agreement / Concept Contract Voor de Verkoop van Kunstwerken," with texts by Seth Siegelaub in English and J. ... [details]

Catalogue for the Exhibition

Seth Siegelaub, Terry Atkinson, Michael Baldwin, Robert Barry, Jan Dibbets, Douglas Huebler, Stephen Kaltenbach, Joseph Kosuth, Sol LeWitt, N.E. Thing Co., Lawrence Weiner

Exhibition catalogue published in conjunction with show held May 19 - June 19, 1969, and symposium held June 17, 1969 via telephone hook-up form New York, Ottawa and Burnaby. Short texts by the artists in the exhibition describing their work. ... [details]

Carl Andre Robert Barry Douglas Huebler Joseph Kosuth Sol LeWitt Robert Morris Lawrence Weiner [aka : The Xerox Book, aka : Andre / Barry / Huebler / Kosuth / LeWitt / Morris / Weiner]

[First Edition]

Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner, Seth Siegelaub

Perhaps one of the most revered artist's publication of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site specific project for the publication. ... [details]