An impressive book in which Seth Siegelaub reconnects with artists he engaged with in the late 1960s within the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]
Transcript of a conference held at the Nova Scotia College of Art and Design (NSCAD) in Halifax, Nova Scotia, Canada, October 5 and 6, 1970. Transcript adapted by Craig Leonard. Conference organized by Seth Siegelaub. ... [details]
Artist's project by Ira Joel Haber, artist and employee of Norbert J. Prager Associates, a company that dealt with mailed surveys. Haber asked 27 artists to check two sets of numbers "to share with them my immediate environment in some of its visual and process forms. ... [details]
![A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]](/objects/images/s14833.jpg "A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]")
The report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
Special edition of Studio International featuring Seth Siegelaub and Robert [Bob] Projansky's "Artists' Reserved Rights Transfer and Sale Agreement" and essay by Siegelaub describing the Agreement's background and its application. ... [details]
![Cover Version [Euro Edition]](/objects/images/ACFDD8.jpg "Cover Version [Euro Edition]")
Cover Version was the Specific Object 2004 Publication of the Year.
No kidding. You ask how can a business, Specific Object, that has been in operation for only a few months have such an award? Well as an independently owned operation I guess I can do whatever I wish, and if giving out an award is something I want to do - then damm, that's just what I'm going to do! End of story.
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[details]
Conceptual catalogue for an exhibition that took place within the pages of Studio International, Vol. 180, No. 924 (July / August 1970). Introduction by Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. ... [details]
![Artist's Reserved Rights Sale Agreement [aka : The Artist's Reserved Rights Transfer and Sale Agreement]](/objects/images/s23275.jpg "Artist's Reserved Rights Sale Agreement [aka : The Artist's Reserved Rights Transfer and Sale Agreement]")
Early draft of Seth Siegelaub and Robert [Bob] Projansky's "The Artist's Reserved Rights Transfer and Sale Agreement." This draft dated January 30, 1971 and titled "Artist's Reserved Rights Sale Agreement," title would later change to "The Artist's Reserved Rights Transfer and Sale Agreement. ... [details]
This "Agreement form has been drafted by Bob Projansky, a New York lawyer, after my [Siegelaub] extensive discussions and correspondence with over 500 artists, dealers, lawyers, collectors, museum people, critics and other concerned people involved in the day-to-day workings of the international art world. ... [details]
![MARCH 1969 [aka : One Month]](/objects/images/s23314.jpg "MARCH 1969 [aka : One Month]")
Exhibition catalogue for exhibition that did not take place outside the printed catalogue. I.E. a purely conceptual exhibition. Each artist was provided with a single page within the catalogue, representing a single day in the month of March 1969. ... [details]
