May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
Folded poster / announcement published in conjunction with the inaugural exhibition at P.S.1 held June 10 - 26, 1976 featuring site specific installations in the rooms of the then largely un-renovated building. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976, featuring site-specific installations in the rooms of the then largely unrenovated building. The publication includes brief text by participating artists; executive director, Alanna Heiss; and program director, Linda Blumberg; with installation images and images of artists installing their works. ... [details]
Black-and-white folded poster by fluxus artist Ben Vautier featuring the back of a man's head and the text "Ben Expose Partout" [ Ben Exhibits Everywhere ], c. 1964-65. [details]
2021 Primary Information reprint of writings by Michael Asher originally published in 1983 as the fifteenth in a series of books on artists published by the Nova Scotia College of Art and Design in Halifax, Canada. ... [details]
Forth book in Afterall Books' "Exhibition Histories" series focusing on ‘Magiciens de la Terre,’ an exhibition held in Paris in 1989 featuring over a hundred artists. Introduction by Pablo Lafuente. Text by Lucy Steeds, Jean-Marc Poinsot, Rasheed Araeen, Jean Fisher, Thomas McEvilley, Jean-Hubert Martin, Gayatri Chakravorty Spivak, Frédéric Bruly Bouabré, Barbara Kruger. ... [details]
Exhibition catalogue / critical theory published in conjunction with show held at the Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983; and Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. ... [details]
Catalogue raisonné of Nauman's work through 1994. Text by Neal Benezra, Kathy Halbreich, Paul Schimmel, Robert Storr, Laurie Haycock Makela and Kristen McDougal. Edited by Joan Simon. Includes index, bibliography and artist's exhibition history. ... [details]
Exhibition catalogue published in conjunction with shows held at David Zwirner, New York, NY, and Lawrence Markey, San Antonio, TX, in February- March, 2013. Includes excerpts from "Portio Minor: Suzan Frecon's Watercolors," by Sarah Eckhardt; excerpts from Ferdinando Bologna, "Early Italian Painting: Romanesque and Early Medieval Art;" a letter from Mary Benson to Grace Nicholson; and a list of plates. [details]