Reference book for the collection of the Museum of Modern Art, Saint-Étienne. Essays by Jacques Beauffet, Bernard Ceysson, Martine Dancer and Maurice Fréchuret. Artists include Gilles Aillaud, Carl Andre, Arman, John Armleder, Jean Arp, Jean Atlan, Enrico Baj, Georg Baselitz, Etienne Beothy, Christian Boltanski, Roger Bissiére, Victor Brauner, Camille Bryen, Pierre Buraglio, Victor Burgin, Alexander Calder, Marcelle Cahn, Louis Cane, Auguste Chabaud, Gaston Chaissac, Tony Cragg, Joseph Csaky, Robert Delaunay, Sonia Delaunay, Maurice Denis, Daniel Dezeuze, David Diao, Jim Dine, César Domela, Marcel Duchamp, Jean Dubuffet, Raoul Dufy, Max Ernst, Etienne-Martin, Aleksandra Exter, Luciano Fabro, Jean Fautrier, Naum Gabo, Jochen Gerz, Julio González, Toni Grand, Hans Hartung, Raoul Hausmann, Jean Hélion, Jörg Immendorff, Robert Jacobsen, Alain Jacquet, Donald Judd, Lajos Kassak, On Kawara, Ellsworth Kelly, Yves Klein, Joseph Kosuth, Igor Kopystiansky, Barbara Kruger, Henri Laurens, Bertrand Lavier, Jean Le Moal, Sol LeWitt, Roy Lichtenstein, Richard Long, Markus Lupertz, Alberto Magnelli, Alfred Manessier, Louis Marcoussis, André Masson, Henri Matisse, Mario Merz, Henri Michaux, Claude Monet, Barnett Newman, Kenneth Noland and many, many more. [details]
Issue edited by Herbert George. Essays "Sites/Non-Sites: Smithson's Influence on Recent Landscape Projects," by Roelof Louw; "Statue in the Air," by Jirí Kolár; "Cross Out or Add," by Jirí Kolár; "Writings," by Piet Mondrian; "Natural Phenomena as Public Monuments," by Alan Sonfist; "Chapter 4 from PLEASURE," by Barbara Baracks; "My Molding, Flowing Conception of Image, and How It Affects the Universe," by Bernie Maisner; "Berkeley and Bullfighting," by Bruce Boice; "DEAN MARTIN/entertainment as Theater," by Dan Graham; "Past Tense," by Dorothy Dehner; "Two Lives," by Dorothy Dehner; "The Grotesque and the Classical in Sculpture," by Seymour Lipton; "Contexts," by Rosemary Mayer and Nancy Wilson Kitchel; "Fishing," by Dorothy Alexander; "What a Journey (Horror Trip to Poland)," by Harold Vogl; "A Parable," by Steve Martinot; "Tracings," by Jacki Apple; "Abstract architectural Space - The Empty Building," by Will Insley; "Man (=1, That is, Plus or Minus Being = X)," by Cioni Carpi; "Four Poems," by Barbara Kruger; "She Makes the Wrong Choices," by Barbara Kruger; "For Granny (1881 - ) Whose Lamps are Going Out: A Short Lecture on the Effects of Afterimages," by Alice Aycock; "Billy Builder, or The Painfull Machine," by Carl Andre. ... [details]
Exhibition catalogue published in conjunction with show held at the Ursula Blickle Stiftung, Kraichtal, Germany, June 8 - July 6, 1997. Traveled to the Kunstraum Innsbruck, July 12 - October 4, 1997. Essay by Peter Weiermair. ... [details]
Exhibition catalogue published in conjunction with show held in 1995. Curated by Rafael Greca de Macedo. Texts by Ticio Escobar, Paulo Herkenhoff, Helio Oiticica, Ivo Mesquita, Werner Meyer, Carlos Pérez Villalobos, Alina Tortosa, Gilmar de Carvalho, Gustavo Buntinx, Justo Pastor Mellado, Xawery Wolski, Mary Jane Jacob, Ibrahim Miranda, Lilian Llanes, Rossina Cazali, David Pagel, Retta, Carina Weidle, Carlos Capelán, MabeBethônico, Paula Croci, Vik Muniz, Ronald Jones, Christy Wyckoff, Maria Martins, Henri Matisse, German Martinez Cañas and Restrepo. ... [details]
