Issue edited by Joseph Masheck. Essays "Participation Performance," by Allan Kaprow; "Einstein on the Beach," by Barbara Baracks; "Diebenkorn Reconsidered," by Budd Hopkins; "Wayne Thiebaud from Phoenix to Des Moines," by Jeff Perrone; "Gustave Caillebotte: The 1970s and the 1870s," by Robert Rosenblum; "Artists' Sketchbooks," by Leo Rubinfien; "Purism: Straightening Up After the Great War," by Kenneth E. ... [details]
Magazine of New Music. Essays: "Art Interludes," by Barbara Baracks; "Shooting Tokyo," by John Adams; "Soundspace for Tony Gnazzo," by Jan Pusina; "Why Polk Music is Relevant to the Avant-Garde (or Should We Call It "Ethnic Music?")," by Daniel Goode; "The Current State of the World Plays Through Our Education By Music," by Philip Corner; "Tropez-Z ("The Amber")," by Don Druick; "Basic Musicality," by Dr. ... [details]
Double / "flip" issue of the socio-political publication, The Flue, published by avant-garde arts organization Franklin Furnace. Publication reads on one side as "Sex, Performance and the 80's" and on the other side as " L. ... [details]
Issue edited by Herbert George. Essays "Sites/Non-Sites: Smithson's Influence on Recent Landscape Projects," by Roelof Louw; "Statue in the Air," by Jirí Kolár; "Cross Out or Add," by Jirí Kolár; "Writings," by Piet Mondrian; "Natural Phenomena as Public Monuments," by Alan Sonfist; "Chapter 4 from PLEASURE," by Barbara Baracks; "My Molding, Flowing Conception of Image, and How It Affects the Universe," by Bernie Maisner; "Berkeley and Bullfighting," by Bruce Boice; "DEAN MARTIN/entertainment as Theater," by Dan Graham; "Past Tense," by Dorothy Dehner; "Two Lives," by Dorothy Dehner; "The Grotesque and the Classical in Sculpture," by Seymour Lipton; "Contexts," by Rosemary Mayer and Nancy Wilson Kitchel; "Fishing," by Dorothy Alexander; "What a Journey (Horror Trip to Poland)," by Harold Vogl; "A Parable," by Steve Martinot; "Tracings," by Jacki Apple; "Abstract architectural Space - The Empty Building," by Will Insley; "Man (=1, That is, Plus or Minus Being = X)," by Cioni Carpi; "Four Poems," by Barbara Kruger; "She Makes the Wrong Choices," by Barbara Kruger; "For Granny (1881 - ) Whose Lamps are Going Out: A Short Lecture on the Effects of Afterimages," by Alice Aycock; "Billy Builder, or The Painfull Machine," by Carl Andre. ... [details]