Issue edited by Ingrid Sischy. Essays "Stampede to the Figure," by Carter Ratcliff; "Gilbert & George: Shake Hands with the Devil," by Rosetta Brooks; "'On the Manner of Addressing Clouds,'" by Thomas McEvilley; "Just North of Modernism," by Kenneth Baker; "Broadway and 42nd Street in the Grass," photographs by Larry Fink; "Markus Raetz: Delusive Illusions," by Max Wechsler. ... [details]
Issue edited by Ingrid Sischy. Essays "Light," photographs by Joel Meyerowitz; "Light," watercolors by Agnes Martin; "A Light Opportunity," editorial by Edit deAk and Ingrid Sischy; "A Light Compass"; "Northern Lights," by Per Kirkeby and Komar and Melamid; "Eastern Lights, Western Lights," by Francesco Clemente, Eiko Ishioka, Gerhard Richter, Pat Place, and Linda Yablonsky; "Southern Lights," by Nicola De Maria and Peter Magubane; "Shadow Captions. ... [details]
Issue edited by Ingrid Sischy. Essays "Double Vision in Space City: 'The Houston School' of Barbara Rose and Susie Kalil; William Camfield's Houston Artists," by Thomas McEvilley; "American Medical Association," a project by Ida Applebroog; "Robert Morris, a Saint Jerome for Our Times," by Carter Ratcliff; "Richard Wentworth's Ad Hoc Esthetics," by Stuart Morgan; "Robert Smithson's Early Work - A Resurrection," by Stuart Morgan; "What's Natural?," A Conversation between Joseph Love and Jo Kondo; "American Prayers," by Kim Gordon; "John Duff's perfect Sculpture," by Donald Kuspit; "Endless Meaning at the Hirshhorn," by Roberta Smith; "Corrupting the Absolute," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Esthetics and Loss: AIDS," by Edmund White; "Imi Knoebel's Triangle: The Ecology of Nonobjectivity," by Donald Kuspit; "The Mirror Turned Lamp: Lily Tomlin and Jane Wagner defy the Forces of Gravity," by C. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Issue edited by Ingrid Sischy. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. ... [details]
Issue edited by Ingrid Sischy. Essays "Not Utopia: Jan Vercruysse: The Present Unclosed," by Pier Luigi Tazzi; "Three's a Company: James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala Talk Talkies," by Anthony Korner; "Baptism: A Project for Artforum," by Jeff Koons; "Renovating the New: The Art of Lucio Fontana," by Jole de Sanna; "Black and White Light: Getting Home in Charcoal and Pastel," by John Yau; "Artist Envy: The Art of Interpretation and its Interpretation of the Artist," by Donald Kuspit; "A Song to the Avant-Garde: 'Tadeusz Kantor and the Duck, Robert Wilson Riding Hood, Un Mélange de Styles,' and Six More Plays by Kenneth Koch Here Staged on the Page in a Project for Artforum by Larry Rivers"; Book Preview: The sounds of Silents. ... [details]
Issue edited by Ingrid Sischy. Essays "Corporate Arcadias: Green Thumbs and Gray Flannel," by Dan Graham and Robin Hurst; "Haim Steinbach's Wild Wild West: Serving Color on the Horizon," by Germano Celant; "Arms: Around Chet Baker," by Bruce Weber; "Kane's Welles: The Phantom of the Opus, Velásquez in Xanadu," by Brian O'Doherty; "Ventriloquism. ... [details]
Issue edited by Ingrid Sischy. Essays "Today Crossed Out," a Project for Artforum by Hanne Darboven with an Introcuction by Coosje van Bruggen; "Zarina's Balm: Objects of Exchange," by Lisa Liebmann; "Just Say Noh: The Esthetics of Banality," by Richard Goldstein; "Enter Elliott Erwitt"; "Time Bandits, Space Vampires," by Thomas Lawson; "Ostentatious Perfectionism: Four-Color Whites, 'One Hundred Flowers,' Georgia O'Keefe. ... [details]
