Issue edited by Ingrid Sischy. Essays "Ulrich Rückriem: The Monumental Ritual," by Ted Castle; "The 1979 Dime Store Figurine," by Mike Glier; "The Barren Flowers of Evil," by Komar and Melamid; "Towards a Theory/Practice of Painting," by Paul Rodgers; "Urban Nature: The Work of Maria Nordman," by Germano Celant; "Ian Wilson, For Example: Texts on Words," by René Denizot. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Issue edited by Joseph Masheck. Essays "'Magritte's Inaccessible Woman," by Elena Calas; "Mikhail Vrubel: Madness and Art," by Ann Farkas; "Charles Simonds' Emblematic Architecture," by Kate Linker; "Existential Formalism: The Case of Sharon Gold," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays by "Five Unpublished Letters from Ad Reinhardt to Thomas Merton and Two in Return"; "Illusive Spaces: The Art of Mary Miss," by Ronald J. Onorato; "Lucio Pozzi: From the Particular to the General," by Tiffany Bell; "Malevich and Khlebnikov: Suprematism Reinterpreted," by Rainer Crone; "Matisse the Representational Artist," by Jeremy Gilbert-Rolfe; "Four British Painters," by John McEwen; "Coming to Terms with the 'Treasures of Mexico,'" by Barbara Bloom; "Some Nice Books," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essay "Meret Oppenheim: Confrontations," by Nicolas Calas; "Saul Steinberg's 'Written' Pictures," by Joseph Masheck; "On Joel Shapiro's Sculptures and Drawings," by Marc Fields; "Pat Adams' Modernity," by Richard Lorber; "Servant of Time," by Richard Hennessy; "Love/Hate Relations," By Leo Rubinfien; "Domestic Tranquility," by Peter Fuller; "Joshua Neustein: Static Fragile, Massive, Gray, Torn, Impermanent," by Jeremy Gilbert-Rolfe; "Problems in Synchromism," by Janet Funston; "Book Review: Malcolm Le Grice's 'Abstract Film and Beyond,'" by Regina Cornwell. ... [details]
Issue edited by Joseph Masheck. Essays "Freedom, Love and Poetry," by Nicolas Calas; "Alan Kirili's Form and Craft," by Jan van der Marck; "Thoughts on Samuel Yellin and Blacksmithing," by Alain Kirili; "Henri Gaudier-Brzeska: The Process of Discovery," by Brice Rhyne; "Problems 'Relating to' Andy Warhol's 'Still Life 1976," by Peter Gidal; "Thomas Bang's Recent Work," by Tiffany Bell; "'Konstruktivism' and 'Kinematografiya,'" by Jennifer Oille; "Peter Berg: Filling In the Holes," by Robert Hurwitz; "Book Review: Nan Rosenthal's 'George Rickey,' by Herbert George. ... [details]
