Spring 1992 issue of Discourse dedicated to happenings, body, spectacle and virtual reality. Guest edited by Valie Export and Herbert Blau. Essays include "The Prospect Before Us," by Herbert Blau; Persona, Proto-Performance, Politics: A Preface," by Valie Export; "The Spectacle of the Anti-Spectacle: Happenings and the Situationist International," by Jon Erickson; "Viennese Actionism and the Vienna Group: The Austrian Avant-Garde after 1945," by Ferdinand Schmatz; "Survival Ethos and Destruction Art," by Kristine Stiles; "The Rope Trick," by David Crane; "Performance Art / Life Art / Mediafication," by Gerhard Johann Lischka; "What is Left of Performance Art? Autopsy of a Function; Birth of a Genre," by Josette Féral; "Binary Terror and Feminist Performance: Reading Both Ways," by Vivian M. ... [details]
Spring/Summer 1993 issue of Camerawork. Guest edited by Timothy Druckrey. Texts include "In This Issue," by Timothy Druckrey; "Electronic Representation: Imaging Beyond Photography," by Timothy Druckrey; "Interactive Art and the Video Game: Separating the Siblings," by Regina Cornwell; "Fortress Europe: Tagging the Other," by Keith Piper; "Art-ificial Sub-versions, Inter-action and the New Reality," by Lynn Hershman; "The Magnetic Mirror," by Ken Feingold; "pointing at an Interactive Cinema," by Grahame Weinbren; "Exhibition Review: Larry Clark," by Michael Read; "Book Reviews: Immediate Family, Pictures from Home," by Veronique Vienne; "Books Noted and Received: 'Arid Waters,'" by Nicole Penegor; "Evidence," by Rupert Jenkins; and "In the Gallery: Recent Exhibitions at SF Camerawork. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Issue edited by Joseph Masheck. Essay "Meret Oppenheim: Confrontations," by Nicolas Calas; "Saul Steinberg's 'Written' Pictures," by Joseph Masheck; "On Joel Shapiro's Sculptures and Drawings," by Marc Fields; "Pat Adams' Modernity," by Richard Lorber; "Servant of Time," by Richard Hennessy; "Love/Hate Relations," By Leo Rubinfien; "Domestic Tranquility," by Peter Fuller; "Joshua Neustein: Static Fragile, Massive, Gray, Torn, Impermanent," by Jeremy Gilbert-Rolfe; "Problems in Synchromism," by Janet Funston; "Book Review: Malcolm Le Grice's 'Abstract Film and Beyond,'" by Regina Cornwell. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Philip Leider. Essays "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; "'The Chelsea Girls,'" by Stephen Koch. ... [details]
"One of America's most important artists, Bruce Nauman has worked in a dazzling variety of media since the mid-1960s : sculpture, photography, performance, installation art, sound, holography, film, and video. ... [details]
1974 / 1975 catalogue of films and videotapes distributed through Castelli-Sonnabend. Text by Regina Cornwell, Vito Acconci, Liza Bear, Peter Frank, Yvonne Rainer, Richard Serra, Keith Sonnier, and Mayo Thompson. ... [details]
Small-scale exhibition catalogue published in conjunction with touring collection of films chosen by Regina Cornwell of the Arts Council of Great Britain, 1981. Text by Regina Cornwell. Artists featured in film series are Vito Acconci, Beth B, Scott B, John Baldessari, Joseph Cornell, Manuel de Landa, Alfred Leslie, Robert Frank, Jack Goldstein, Nancy Graves, Martha Haslanger, David Haxton, Nancy Holt, Joan Jonas, Mary Miss, Eric Mitchell, Robert Morris, Bruce Nauman, Richard Serra, Stuart Sherman, Robert Smithson, and Andy Warhol. ... [details]
