September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; and "'The Chelsea Girls,'" by Stephen Koch. ... [details]
Summer 1989 issue of Artscribe International, edited by Stuart Morgan. Contents include: interview between Regina Cornwell and Yoko Ono, "View;" "True Fictions: Barbara Bloom," by Nancy Spector; "Past Present Future: Count Giuseppe Panza di Biumo," interviewed by Stuart Morgan; "Not all about death: Jenny Holzer," interviewed by Steven Evans; "Pitz Files," by Hermann Pitz," photographs by Florian Kleinefenn; "3000 Years: Carl Andre," interviewed by David Batchelor; "Some Other Sense: Art & Language," by Charles Harrison; "Oktober 1977: Gerhard Richter," by Bettina Semmer; "Reviews;" and "Books. ... [details]
March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
Spring 1992 issue of Discourse dedicated to happenings, body, spectacle and virtual reality. Guest edited by Valie Export and Herbert Blau. Essays include "The Prospect Before Us," by Herbert Blau; Persona, Proto-Performance, Politics: A Preface," by Valie Export; "The Spectacle of the Anti-Spectacle: Happenings and the Situationist International," by Jon Erickson; "Viennese Actionism and the Vienna Group: The Austrian Avant-Garde after 1945," by Ferdinand Schmatz; "Survival Ethos and Destruction Art," by Kristine Stiles; "The Rope Trick," by David Crane; "Performance Art / Life Art / Mediafication," by Gerhard Johann Lischka; "What is Left of Performance Art? Autopsy of a Function; Birth of a Genre," by Josette Féral; "Binary Terror and Feminist Performance: Reading Both Ways," by Vivian M. ... [details]
Spring/Summer 1993 issue of Camerawork. Guest edited by Timothy Druckrey. Texts include "In This Issue," by Timothy Druckrey; "Electronic Representation: Imaging Beyond Photography," by Timothy Druckrey; "Interactive Art and the Video Game: Separating the Siblings," by Regina Cornwell; "Fortress Europe: Tagging the Other," by Keith Piper; "Art-ificial Sub-versions, Inter-action and the New Reality," by Lynn Hershman; "The Magnetic Mirror," by Ken Feingold; "pointing at an Interactive Cinema," by Grahame Weinbren; "Exhibition Review: Larry Clark," by Michael Read; "Book Reviews: Immediate Family, Pictures from Home," by Veronique Vienne; "Books Noted and Received: 'Arid Waters,'" by Nicole Penegor; "Evidence," by Rupert Jenkins; and "In the Gallery: Recent Exhibitions at SF Camerawork. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Issue edited by Joseph Masheck. Essay "Meret Oppenheim: Confrontations," by Nicolas Calas; "Saul Steinberg's 'Written' Pictures," by Joseph Masheck; "On Joel Shapiro's Sculptures and Drawings," by Marc Fields; "Pat Adams' Modernity," by Richard Lorber; "Servant of Time," by Richard Hennessy; "Love/Hate Relations," By Leo Rubinfien; "Domestic Tranquility," by Peter Fuller; "Joshua Neustein: Static Fragile, Massive, Gray, Torn, Impermanent," by Jeremy Gilbert-Rolfe; "Problems in Synchromism," by Janet Funston; "Book Review: Malcolm Le Grice's 'Abstract Film and Beyond,'" by Regina Cornwell. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
"One of America's most important artists, Bruce Nauman has worked in a dazzling variety of media since the mid-1960s : sculpture, photography, performance, installation art, sound, holography, film, and video. ... [details]
