June/July 1979 issue of Journal. Edited by Debra Burchett and Bridget Johnson. Contents include: "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. ... [details]
October/November 1978 issue of the periodical "Journal." Edited by Debra S. Burchett and Bridget Reak-Johnson. Contents include: "Re the Production of Work in the Age of Mechanical Art," by Jim Pomeroy; "A Proposal," by Kristine Stiles; "Fetish to Physics," by Melinda Wortz; "History / Art," by Christopher Knight; "Paragraphs," by Sanda Agalidi; "Notes for "Progress, Not Adventure," " by Al Ruppersberg; "Isolated Imagery: Joe Goode," by Michele De Angeles; "A Conversation with Vija Celmins," by Susan Larsen; "Chandlerism," by Alexis Smith; "Untitled," by Elyn Zimmerman; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Music," by Pauline Oliveros, Bob White; "Painting," by Richard Armstrong, Howard Singerman; "Photography," by Irene Borger, Robert MacDonald, James Hugunin; "Ephemera," by Ulisses Carrion; "Scoops," by Debra S. ... [details]
January / February 1978 issue of the periodical "Journal." Edited by Michael Auping. Contents include: "Issues and Commentary;" "An Interview with Lynn Hershman," by Moira Roth; "Unstretched Surfaces," by Howard Singerman; "Little Scenes," by Brian Forrest; "Book Art," by Richard Kostelanetz; "David Del Tredici's FINAL ALICE," by James Welling; "Michael Brewster, Installations," by Melinda Wortz; "Hummingbirds," by Cynthia Lee Maughan; "Paragraphs," by Sanda Agalidi; and "Some Recent Art and Architectural Analogue," by Christopher Knight. ... [details]
Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. ... [details]
Issue edited by Bice Curiger. Essays "Photographs By Wols," by Jan Thorn-Prikker; "Wacky Molière Lines: A Listener's Guide To Ed-Werd Rew-Shay," by Dave Hickey; "Standard Bullshit," by Dennis Hopper; "Edward Ruscha: A Distant World," by Alain Cueff; "The Mnemonic Book: Ed Ruscha's Fugitive Publications," by John Miller; "Against Type: The Silhouette Paintings Of Edward Ruscha," by Christopher Knight; "Tony Cragg: Darking Light," by Lynne Cooke; "'I Hate To Think' The New Paintings Of Julian Schnabel," by Brooks Adams; "Les Infos Du Paradis: Parkett Inquiry, The Artist As A Model Sufferer?," by unattributed artists; "Cumulus From America," by Lucio Pozzi; "Cumulus Aus Europa," by Bernard Blistène; "Balkon: Sigmar Polkes Thermosensible Wandmalerei," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
Issue number 111 / 112 of Design Quarterly serving as an exhibition catalogue published in conjunction with show "The Elusive Image" held September 30 - November 18, 1979. Edited and with an editors note by Mildred S. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
Exhibition catalogue published in conjunction with show held June 12 - August 1, 1982. Exhibition juried by Benjamin Buchloh, Richard Koshalek and Brenda Richardson. Extended introduction by Anne Rorimer. ... [details]