Issue edited by Ingrid Sischy. Essays "Ulrich Rückriem: The Monumental Ritual," by Ted Castle; "The 1979 Dime Store Figurine," by Mike Glier; "The Barren Flowers of Evil," by Komar and Melamid; "Towards a Theory/Practice of Painting," by Paul Rodgers; "Urban Nature: The Work of Maria Nordman," by Germano Celant; "Ian Wilson, For Example: Texts on Words," by René Denizot. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "In Search of Religion," by Komar and Melamid; "Three Oblique Situations," by Nicolas Calas; "Peggy Guggenheim," by Marie Cosindas; "Marcel Broodthaers: Allegories of the Avant-Garde," by Benjamin Buchloh; "Ree Morton," by Mary Delahoyd; "Editorial Comment," by Ingrid Sischy; "Essential Differences: A Comparison of the Portraits of Lisette Model and Diane Arbus," by Shelley Rice; "Books: 'Lisette Model: An Aperture Monograph'," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. Essays "Figuring it Out," by Klaus Kertess; "Visions and Re-Visions," by Moira Roth; "Slouch Stretch Smile Leap," by Carol Squiers; "Lisa Lyons," by Robert Mapplethorpe; "Editorial," by Ingrid Sischy; 'Action and Abstraction," by Mary Delahoyd; "Carolee Schneemann: The Woman Who Uses Her Body as Her Art," by Ted Castle; "The Doctors," by Stanley B. ... [details]
Issue edited by Joseph Masheck. Essay "Alexander Rodchenko: The Simple and the Commonplace," by Hugh Adams; "The Photomontages of José Renau," by Carole Naggar; "Franz Kline's Color Abstractions: Remembering and Looking Afresh," by Budd Hopkins; "Michael Goldberg's New Paintings," by John Johnston; "Angela Jansen, Printmaker," by Francine Tyler; "Seven Artists of Israel," by Steven Kasher; "Oliver Lee Jackson: Forms that Feeling Takes," by Regina Hackett; "Planar Constructions and the Planar Dimension," by Erik Saxon; "Books: 'The Third Mind,'" by Nicolas Calas. ... [details]
Issue edited by Joseph Masheck. Essays "'Martin Puryear's Sculpture," by Jonathan Crary; "Monument - Sculpture - Earthwork," by Nancy Foote; "Cosmetic Transcendentalism: Surface-Light in John Torreano, Rodney Ripps and Lynda Benglis," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
May 1980 issue of Art in America. Edited by Elizabeth C. Baker. Written contributions by Donald B. Kuspit, Carrie Rickey, Charles F. Stuckey, Peter Schjeldahl, Carter Ratcliff, Martin Filler, Susan Mullin Vogel, Ann-Sargent, Jeffrey Deitch, Michael Leja, John Perreault, Ronny H. ... [details]
Exhibition catalogue published in conjunction with retrospective show held at Gallery 210, University of Missouri, St. Louis, April 3 - 28, 1989. Text by Joanna Freuh and the artist. Edited by Thomas H. ... [details]
Issue edited by Ingrid Sischy. Essays "Projects" by William Wegman, Jenny Holzer, Peter Nadin, Art & Language, Gilbert & George, Judy Rifka, Ed Ruscha ; "Seeing Between the Pages," by Ronny Cohen ; "Art Magazines and Magazine Art," by Clive Phillpot ; "Projects," by Kim MacConnel, Heresies, Victor Burgin, Laurie Anderson, Michelle Stuart, Anne and Patrick Poirier, Just Another Asshole, Richard Long, Joseph Beuys, Dan Graham ; "Copy," by Edit deAk. ... [details]