![Walking Artist : The Separation of Subject and Medium [aka : Rainbow Walking]](/objects/images/s36802.jpg "Walking Artist : The Separation of Subject and Medium [aka : Rainbow Walking]")
Artist's book featuring a selection of texts by Hamish Fulton. [details]
Artist's project / poster produced in conjunction with show held November 18 - December 18, 1989. Colored text by Fulton on white paper. [details]
Artist's book / exhibition catalogue published in conjunction with show held February 5 - March 30, 1991. This inaugural exhibition for the Galería Weber, Alexander y Cobo "is the result of two walks done by both British artists in Spain. ... [details]
"This volume is the first full-length monograph on Jasper Johns, whose work has earned a historic place for itself by sparking much of American and, indeed, world art since the mid-1950s. [...] [Kozloff] traces Johns' pictorial development, probes the often complex overlaps of the artist's thought, identifies stylistic changes, and deals with the iconography of Johns' work - the kinds of objects he chooses, how he treats them, and in what contexts he places them. ... [details]
Exhibition catalogue / artist's book published in conjunction with show held at Galerie Karsten Greve, Cologne, March 18 - April 23, 1988. Traveled to Thomas Segal Gallery, Boston, April 30 - May 28, 1988. ... [details]
"Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator, and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
Avalanche magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
A history of the ground breaking periodical written by it's editors, Willoughby Sharp and Liza Bear. From 1970 - 1976 Sharp and Bear put together a lively magazine that featured interviews, reviews, overviews and photo-documentation of some of the most important art of the period -- from Vito Acconci to Lawrence Weiner incorporating Carl Andre, Joseph Beuys, Robert Smithson, Richard Serra, Bruce Nauman, Jackie Winsor, Dennis Oppenheim, William Wegman, Terry Fox, and many others as well. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Issue number 45 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Curt Belshe, Ana Busto, Sarah Drury, Hilary Kliros, Lise Prown, and Steven Schiff. Contents include: "Introduction," by the guest editors; "Fairytale as Myth / Myth as Fairy Tale," by Jack Zipes; "The Perfect Crime: Oscar Wilde's 'The Happy Prince,'" by Didi Heller; "A Possible Model For Fairy Tales," by Vito Acconci; "Four Ways of Looking at a Fairy Tale," by Fredric Jameson; "Rumpelstiltskin is My Name," by Martin Winn; "Coyote Comes Laughing," by Jean Fisher; "Fairy Tales," by Andrea Fraser; and "'Beauty and the Beast;'" The Survival Story," by Betsy Hearne. [details]
