Spring 1987 issue of October on the writings of Jacques Lacan, edited by Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "TELEVISION," by Jacques Lacan, translated by Denis Hollier, Rosalind Krauss, Annette Michelson; "Dossier on the Institutional Debate: An Introduction," by Joan Copjec; "Letter to Rudolph Loewenstein," by Lacan; "Letter to Heinz Hartmann," by Lacan; "Report from the President, Dr. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "AIDS: Cultural Analysis / Cultural Activism," by Douglas Crimp; "AIDS: Keywords," by Jan Zita Grover; "AIDS, Homophobia, and Biomedical Discourse: An Epidemic of Signification," by Paula A. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Techniques of the Observer," by Jonathan Crary; "The Ends of Art according to Beuys," by Eric Michaud; "Joseph Beuys, or The Last of the Proletatians," by Thierry de Duve; "Haacke, Broodthaers, Beuys," by Stefan Germer; "The Sound of O in Othello: The Real of the Tragedy of Desire," by Joel Fineman; "Lacan's Psychoanalysis, or The Figure in the Screen," by Shoshana Felman; "Reproducing Nature: The Museum of Natural History as Nonsite," by Ann Reynolds. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Why Kluge?," by Stuart Liebman; "On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge," by Stuart Liebman; "The Public Sphere and Experience: Selections," by Oskar Negt and Alexander Kluge; "Word and Film," by Edgar Reitz, Alexander Kluge, and Wilfried Reinke; "Why Should Film and Television Cooperate? Selections from New Stories, Notebooks 1 - 18: "The Uncanniness of Time," by Alexander Kluge; "An Analytic Storyteller in the Course of Time," by Andreas Huyssen; " "What is Different is Good": Women and Femininity in the Films of Alexander Kluge," by Heide Schlüpmann; "On Negt and Kluge," by Fredric Jameson; "Reinventing the Nickelodeon: Notes on Kluge and Early Cinema Alexander Kluge: Filmography," by Miriam Hansen; "Alexander Kluge: Selected Videography," "Alexander Kluge: Selected Publications in Chronological Order," "Selected Bibliography of Writings About About Alexander Kluge," "Acknowledgements," by Stuart Liebman. [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "Uneven Development: Public Art in New York City," by Rosalyn Deutsche; "Homeless Vehicle Project," by David V. Lurie and Krzysztof Wodiczko; "Conversations about a Project for a Homeless Vehicle," by Daniel, Krzysztof, Oscar, and Victor; "Walter Benjamin and the Theory of Art History," by Thomas Y. ... [details]
Winter 1989 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Mourning and Militancy," by Douglas Crimp; "Flaming Closets," by Michael Moon; "Kant with Sade," by Jacques Lacan; "From Breton to Dali: The Adventures of Automatism," by Laurent Jenny; and "A Conversation with OCTOBER," by The V-Girls. [details]
Edited by Joan Copjec, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "The Temptation of New Perspectives," by Stephen Melville; "The Kinetic Icon in the Work of Mourning: Prolegomena to the Analysis of a Textual System," by Annette Michelson; "Bachelors," by Rosalind Krauss; "Marcel Duchamp, or The Phynancier of Modern Life," by Thierry de Duve; "Documentary Is / Not a Name," by Trinh T. ... [details]
Edited by Joan Copjec, Rosalind Krauss, and Annette Michelson. Essays "The Cultural Logic of the Late Capitalist Museum," by Rosalind Krauss; "Rossellini: Woman as Symptom of Man," by Slavoj Žižek; "Fetish Envy," by Marjorie Garber; "Ragnarök of Illusion: Richard Wagner's "Mystical Abyss" at Bayreuth," by Beat Wyss; "Free, Single, and Disengaged: Listening Pleasure and the Popular Music Object," by John Corbett; "Images of Decay: Photography in the Picturesque Tradition," by Wolfgang Kemp; "AIDS Timeline," by Group Material. [details]
Winter 1990 issue of October. Edited by Joan Copjec, Rosalind Krauss, and Annette Michelson. Contents include: "On Equivocation (Between Literature and Politics)," by Denis Hollier; "For the Record: Adorno on Music," by Thomas Y. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Sartre's Screen Projection Freud," by Gertrud Koch; "Convulsive Identity," by Hal Foster; "There's Always Tomorrowland: Disney and the Hypercinematic Experience," by Scott Bukatman; "'Makulakul'tura': Reprocessing Culture," by Nancy Condee and Vladimir Padunov; "Museum Highlights: A Gallery Talk," by Andrea Fraser; "Tourism and the Semiotics of Nostalgia," by John Frow; "Replies to Benjamin Buchloh on Conceptual Art," by Seth Siegelaub; "Reply to Joseph Kosuth and Seth Siegelaub," by Benjamin Buchloh. ... [details]
