Exhibition catalogue published in conjunction with show held 1985. Text by Rudi Fuchs. Artists in the exhibition include Carl Andre, Giovanni Anselmo, Armando, Christian Ludwig Attersee, Jo Baer, Marco Bagnoli, Georg Baselitz, Lothar Baumgarten, Joseph Beuys, Alighiero e Boetti, Stanley Brouwn, Günter Brus, Daniel Buren, Alberto Burri, James Lee Byars, Enrico Castellani, John Chamberlain, Alan Charlton, Sandro Chia, Francesco Clemente, Enzo Cucchi, Walter Dahn, René Daniëls, Gino de Domincis, Nicola de Maria, Jan Dibbets, Martin Disler, Luciano Fabro, Eric Fischl, Hamish Fulton, and Gilbert & George. ... [details]
Parachute magazine of contemporary art, 29th issue released Winter 1982-1983. Essays include: "The Enduring of the Artsystem," by Gary Kibbins; "Deassaisissement et Réappropriation : De L'émergence du "Photographique" dans l'art Américain," by Guy Bellavance; "Colour Video/ Vulgar Potential," by Peggy Gale; "Colin Campbell," interview by Peggy Gale; "L'éloquence des Moyens: Aperçu des Peintures de Jean-Marie Martin," by Paul-Albert Plouffe; "Andrew Jackson," by Stephen Horne; "Mirrorings," by V. ... [details]
Parachute magazine of contemporary art, 32nd issue released Fall 1983. Essays include: "Comment Peut-On Être Wagnérien?" by Jean-Jacques Nattiez; "Representation and Sexuality," by Kate Linker; "John Clark: Style, Narrative and Object," by Bruce Grenville; "L'espace Immaculé Dans Les Films De Straub-Huillet (Ne Montre Rien) by Stephen Sarrazin; "Melvin Charney," by Bruce Grenville; "Tom Sherman," by Trevor Gould; "Rebecca Garrett/ Lyne Lapointe," by Elke Town; "R. ... [details]
Issue edited by Bice Curiger. Essays "Gilbert & George In The Strangeness Of Their World. Observations To The Film 'The World Of Gilbert & George,' 1980," by Patrick Frey; "The History Of Art - Dead Or Alive?," by Oskar Bätschmann; "Christian Dior, Sculpteur: A Hymn," by Dieter Meier; "Dance About Dance About Me About Us: The American Dance Performer Dana Reitz," by Jacqueline Burckhardt; "Texts By: Jean-Christophe Ammann, Marja Bloem, Bice Curiger," "Etching," by Enzo Cucchi; "Vivian Suter," by Theodora Vischer; "A Trip To Genoa. ... [details]
Issue edited by Bice Curiger. Essays "Added Dimensions," by Robert Storr; "Contributions By: Bice Curiger, Gilbert Lascault, Alain Cueff, François Grundbacher, Jürgen Glaesemer," by Markus Raetz; "Hannah Villiger: Sculptures," by Christiane Meyer-Thoss; "The Vulgar Avantgarde," by Luc Sante; "The Idiot Der Familie," by Wilfried Dickhoff; "Les Infos Du Paradis: Journeys Backwards And Forwards," by Siegmar Gassert / Rémy Zaugg; "Cumulus Aus Europa," by Carmen Bernárdez; "Cumulus From America," by Richard Flood; "Balkon: Food For Thought," by Dieter Schwarz. ... [details]
Issue edited by Bice Curiger. Essays "Twelve Observations On Christian Boltanski's Shadows And Monuments," by Gilbert Lascault; "Contributions By: David Shapiro, Francesco Pellizzi, Rainer Crone," by Francesco Clemente; "Meanings, Materials And Milieu - Reflections On Recent Work By Louise Bourgeois," by Robert Storr; "Paper Moon - On : Boyd Webb," by Stuart Morgan; "Ernst Caramelle," by Denys Zacharopoulos; "Loie Fuller: The Solist Of The Dancing Color," by Brygida Ochaim; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Rainer Michael Mason; "(Translation:)," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "About Faces: Alice Neel's Portraits," by Nancy Princenthal; "On Barnett Newman," by Peter Halley / Jeremy Gilbert-Rolfe; "Robert Wilson, Scenographer," by Hans-Thies Lehmann; "In Robert Wilson's Forest," by Klaus Kertess; "Robert Wilson: Theater History, Theater As History," by Ellen Levy; "Wilson's Einstein Chair," by Trevor Fairbrother; "Great Day In The Morning," by Christine Grandjean; "The Weight Of A Grain Of Dust," by Jacqueline Burckhardt / Bice Curiger; "Les Infos Du Paradis: Symmetries - An Inquiry By Parkett," by unattributed artists; "Cumulus Aus Europa," by Jutta Koether; "Cumulus From America," by Robert Pincus-Witten; "Balkon: Hydro Iconography," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "Francesco Clemente," by Holland Cotter; "Simulated Readymades by Fischli / Weiss," by Boris Groys; "Günther Förg: Scenarist by Vocation," by Max Wechsler; "Günther Förg's Recent Paintings," by David Rimanelli; "Damien Hirst," by Gordon Burn; "Decadent Geometry," by Boris Groys; "No Ladders; Snakes: Jenny Holzer's Lustmond," by Joan Simon; "Vague Musings About the Work of Rebecca Horn," by Gilbert Lascault; "A Draft in Kafka's Bedroom. ... [details]
Issue edited by Bice Curiger. Contents include: "Chatter About Art is Almost Always Useless," Suzan Frecon and Marcella Durand in conversation; "Alluring Appearance, Complex Core," by Beatrix Ruf; "See Reverse for Care," by Fionn Meade; "Liberation in the Loop, Paul Chan: The 7 Lights" by Boris Groys; " Essentially Alien: Notes from Outside Paul Chan's Godot," by Carrie Lambert-Beatty; "Remember the Bourgeoisie?" by Paul Chan; " The Body Inscribed: Paul Chan's Sade Project," by Alan Gilbert; "The SIlent Power of Art," by Stéphanie Moisdon; "Recreated Reaction Recreate," by Paul McCarthy; Élan: The Joy of Sturtevant's Spinoza," by Roger Cook; "Praise and Otherwise," for Sturtevant from various sources; "Homesickness is Where the Heart Is," by Douglas Fogle; "It Defie Common Sense in Spectacular Style," by Daniel Baumann; "Nothing Everything at Once," by Negar Azimi; "Staging Knowledge, Staging an Opera of Knowledge," Herbert Lachmayer and Jacqueline Burckhardt; and "Reflection, Action, and Production in the Zentrum Paul Klee's Summer Academy," by Juri Steiner. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]
