Issue edited by Joseph Masheck. Essays "Mark Cohen: Recognized Moments," by Carol Squiers; "The Substance of Paper," by Steven Kasher; "Background of a Minimalist: Carl Andre," by Phyllis Tuchman; "The Expressionist Cézanne," by Donald E. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Mel Bochner: Getting from A to B," by Jeff Perrone; "Bodyworks and Porpoises," by Nicolas Calas; "Komar and Melamid and the Luxury of Style," by Marc Fields; "The Russianness of "Petrouchka," by Ann Farkas; "Inside Europe Outside Europe," by Jan van der Marck; "Taking the Long View," by Colin L. ... [details]
Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Joseph Masheck. Essays "Minimalism and Critical Response," by Phyllis Tuchman; "Clyfford Still: The Ethics of Art," by Donald B. Kuspit; "Notes on Narrative and History Painting," by Sidney Tillim; "On George Segal's Reliefs," by Leo Rubinfien; "Snelson and Structure," by Deborah Perlberg; "Garry Kennedy: Painting Painting Itself," by Eric Cameron; "Shape and Form in Ron Gorchov's Painting," by Morris Kearse; "Ensor in His Milieu," by Diane Lesko. ... [details]
Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Participation Performance," by Allan Kaprow; "Einstein on the Beach," by Barbara Baracks; "Diebenkorn Reconsidered," by Budd Hopkins; "Wayne Thiebaud from Phoenix to Des Moines," by Jeff Perrone; "Gustave Caillebotte: The 1970s and the 1870s," by Robert Rosenblum; "Artists' Sketchbooks," by Leo Rubinfien; "Purism: Straightening Up After the Great War," by Kenneth E. ... [details]
Issue edited by John Coplans. Essays "Duane Michals: The Self as Apparition," by Jeff Perrone; "Trouble in Paradise," by Allan Wallach; "Validating Modern Art: The Impact of Museums on Modern Art History"; "Design Deformed," by Suzanne Stephens; "Beating the System," by Leo Rubinfien; "Italo Scanga's Torn Loyalties," by Eric Cameron; "Oldenburg's Monuments to the Sixties," by Nancy Foote. ... [details]
