Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P. ... [details]
Exhibition catalogue published in conjunction with show held at Contemporary Arts Museum, Houston, TX, November 17, 2012 - February 15, 2013. Traveled to Grey Art Gallery at New York University, New York, NY, September 10 - December 7, 2013 and The Studio Museum in Harlem, New York, NY November 14, 2013 - March 9, 2014; and Walker Art Center, Minneapolis, MN, July 24, 2014 - January 11, 2015. ... [details]
Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994; and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. ... [details]
Exhibition catalogue published in conjunction with show held at The Museum of Modern Art, New York, February 23 - April 25, 1965. Traveled to the City Art Museum of St. Louis, May 20 - June 20, 1965; the Seattle Art Museum, July 15 - August 23, 1965; The Pasadena Art Museum, September 25 - November 7, 1965; and The Baltimore Museum of Art, December 14, 1965 - January 23, 1966. ... [details]
Fall 1979 issue of "Sun & Moon" a quarterly of literature and art edited by Howard Fox and Douglas Messerli. Contents include: "Voyage to Jericho" and "Domino," by Bill Berkson; "Sample Textures" and "Air Peel," by Peter Frank; "Ein Traum," by Jorge Luis Borges (translated by Norman Thomas di Giovanni); "Finders, Losers: Frank Stanford's Song of the South," by Lorenzo Thomas; "The Angel of Death" and "Freedom, Revolt, and Love," by. ... [details]
Artist's book / catalogue documenting a project organized by artist Russell Maltz in which he invited 30 artists to make work within an empty swimming pool located adjacent to the Art Center at C.W. Post College in Greenvale, Long Island, between September 1976 - December 1979. ... [details]
Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]
November 1974 issue of Studio International with front and back covers designed for this issue by David Hockney. Edited by Peter Townsend. Contents include: "Naturalism/modernism: a future for figurative painting," by John Clark; "Consensus painting and the Royal Academy since 1945," by Andrew Brighton; "Peter Downsbrough: two pipes, two lines;" artwork for the page by Downsbrough; "Art education and success," by Clive Ashwin; "Beckett & others & art: a system," by Peter Cook; "Review;" "Book Supplement," reviews by Howard Daniel, Martin Green, Ronald Hunt, Victor Schonfield, Robin Spencer, Francis Strauven, John A. ... [details]