Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. ... [details]
Issue edited by Ingrid Sischy. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. ... [details]
Issue edited by Ingrid Sischy. Essays "Bill Woodrow: Material Truths," by Mark Francis; "In the Heart of the Tinman. An Essay on John Chamberlain," by Duncan Smith; "A Project by Pontus Hulten and Jean Tinguely;" "Freeing Dance from the Web: On Collaboration, Trisha Brown's 'Set and Reset,' and 'Lucinda Childs' Available Light," by Thomas McEvilley; "Two Sides of the Brain: Molissa Fenley's Hemisphere's," by RoseLee Goldberg; "Up Rocking, Locking, Old Style, 1990 Moves," by Michael Holman; "Selected Funk Lessions: a project," by Adrian Piper; "A Use for Beauty," by Kenneth Baker; "Executioner's Song," by Greil Marcus; "Books: Gilles Deleuze on Francis Bacon," by Gilles Deleuze; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "Michael Tracy: A Full-Blown Geophysical Presence," by Lisa Liebmann; "Contention between Two Cities about a Disagreeable Beauty," by Max Kozloff; "The Patients and the Doctors," by Julian Schnabel; "Conceptual Art," by Ian Wilson; "Models of Our Present," by Kathy Acker; "The Auto-Representation of Pina Bausch," by Franco Quadri; "These Things Are in the Hands of God," by David Frankel; "Books: Jack Flam on 'Jazz' and 'Cinéma 'Calendrier du coeur abstrait. ... [details]
Issue edited by Ingrid Sischy. Essays "De Kooning," by Sidney Tillim; "Bob Colescott Ain't Just Misbehavin,'" by Lowery S. Sims; "Picasso's Late Work - Swan Song or Apotheosis? An Interview with Gert Schiff," by Ronnie Cohen; "My Dog Neo," by Thomas McEvilley; "Eric Fischl's Year of the Drowned Dog: Eight Characters in Search of an Autumn," by Lisa Liebmann; "William Eggleston's View of Graceland: The Absence of Elvis," by Greil Marcus; "Psychedelic Art: Flashing Back," by Glenn O'Brien; "Books: An Interview with Eiko Ishioka," by Ingrid Sischy; "Never Too Late," by Greil Marcus; "Forum," by Donald Kuspit. ... [details]