Critical theory text examining the imperialist ideology in the Disney Comic "Donald Duck." Translation and updated introduction by David Kunzle. Appendix by John Shelton Lawrence. Text in English. "'How to Read Donald Duck' was first published as 'Para Leer al Pato Donald,' in Chile 1971, and during the fascist period, it was banned and burned there with other literature. ... [details]
Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming; and "Balkon," by Robert Ohrt. ... [details]
Exhibition catalogue published in conjunction with shows held at David Zwirner, New York, NY, and Lawrence Markey, San Antonio, TX, in February- March, 2013. Includes excerpts from "Portio Minor: Suzan Frecon's Watercolors," by Sarah Eckhardt; excerpts from Ferdinando Bologna, "Early Italian Painting: Romanesque and Early Medieval Art;" a letter from Mary Benson to Grace Nicholson; and a list of plates. [details]
Press release / letter "To the friends of the Gallery," by Howard Wise, published December 16, 1970 announcing the closure of Howard Wise Gallery following the closing of the exhibition "Three Sounds," by Howard Jones on December 19, 1970. ... [details]
February 1988 issue of Cover: Arts New York, edited by Jeffrey C. Wright. Contents include: "Wall Patrol," Valery Hallery; "Rauschenberg Interview;" "Alien Barnstormers;" "Artists Space," by Mina Roustayi; "Group Shows," by Cyuphers, Schwendenwein; "Artist Statements," by Borofsky, Rose; "Cubans at Mocha," by James Graham; "Laurence Nelson Wilbur;" "New Romantics," by Michael Scholnick; "Dance Diary," by Hughes, MacKay; "Dancenoise," by Tom Murrin; "Jim Carroll, George Kaats;" "Poems," by Michele Corriel; "Broadcasters," by William Kelley; "Video and Folk," by Wooster, Manning; "Afro-Caribbeat," by Jonathan R. ... [details]
Artist's book / catalogue of pulp fiction books from the collection of Allen Ruppersberg which were written by authors who published under pseudonyms. Includes an image of a book cover with a biography of the author along with their given name and additional (where applicable) pseudonyms. ... [details]
Poster featuring image of Andy Warhol and Jean-Michel Basquiat in boxing gloves in fighter pose, photographed by Michael Halsband, published jointly by Tony Shafrazi and Bruno Bischofberger in conjunction with show held at Shafrazi's New York Gallery, September 14 - October 19, 1985. ... [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Compendium of stories about the life of Hudson, founder of Feature Gallery, as told to Steve Lafreniere. Includes introduction by Bob Nickas. Interviewees include Lisa Beck, Ann Bobco, Darinka Novitovic Chase, Dennis Cooper, Jimi Dams, Steve Diller, Derek Eller, Pamela Golden, Sam Gordon, Peter Huttinger, G. ... [details]
Chapter 4 from 6 volume individually issued artist's book set. Includes text by Martha Wilson based on Lewis Carroll's "Alice in Wonderland." [details]