"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Mira Schor on the Return of the Same," by Mira Schor; "Ground Up: Herbert Muschamp on Property," by Herbert Muschamp; "Democracy, Inc.: Simon Watney on 'Pseudologia Fantastica," by Simon Watney; "The Cave: C. ... [details]
Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Exits and Entrances: Leonetta Bentivoglio on Pina Bausch's 'Palermo, Palermo,'" by Leonetta Bentivoglio; "Special Effects: Carol Squiers on Images from the Panamanian Invasion," by Carol Squiers; "The Cave: Jeanne Silverthorne on 'The Cook, The Thief, His Wife & Her Lover," by Jeanne Silverthorne; "Slant: Lynne Tillman on The Autobiography of Eve," by Lynne Tillman; "Critical Fictions: Rosetta Brooks on 'IPSODEFACTO,'" by Rosetta Brooks; "Untitled: A Project for Artforum," by David Salle; "Rites and Sites: Hans Hollein," by Germano Celant; "All Our Yesterdays," by Donald Kuspit; "After H. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: Maria Nadotti on Reinterpreting Chekov," by Maria Nadotti; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Appetizers: Barbara Kirshenblatt-Gimblett on Edible Art," by Barbara Kirshenblatt-Gimblett; "Undertone: Scott Gutterman on Rhythm and Rage," by Scott Gutterman; "Books: Diedrich Diederichsen on Greil Marcus' European Dream," by Diedrich Diederichsen; "Icons at Large: Maureen Connor on Modesty," by Maureen Connor; "Another Alphabet: The Art of Marcel Broodthaers," by Thomas McEvilley; "On Fire: A Project for Artforum," by Nic Nicosia; "Critical Reflections," Cornel West; "Listen Carefully: The Mahabharata on Film," by Ida Panicelli; "Contents Under Pressure: Equipo Crónica," by Dan Cameron; "Hapless Figures in an Artificial Storm," by Max Kozloff; "Satanic Paintings: A Project for Artforum," by Mario Nigro; "Nancy Dwyer Makes Trubble," by Marcia Tucker. ... [details]
Special issue of artforum on "wonder" edited by Ida Panicelli. "As you will see, no article focuses particularly on the field of art. Instead, we asked over 200 artists to respond to the word 'wonder' by supplying us with an image, a statement, or both. ... [details]
Issue edited by Ida Panicelli. Essays "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "At the Limits: Homi K. Bhabha on the Power of the Text," by Homi K. Bhabha; "Folio: Buzz Spector on John Baldessari's Tristram Shandy," by Buzz Spector; "Special Effects: Carol Squiers on the News and Its Pictures," by Carol Squiers; "What in the World: Andrew Solomon on the Art of Perestroika Part II," by Andrew Solomon; "Expertease: Bell Hooks on Cultural Interrogations," by Bell Hooks; "Added Attractions," by Patricia C. ... [details]
Issue edited by Ida Panicelli. Essays "Appetizer: Book Preview of 'Venus in Furs,'" by Leopold von Sacher-Masoch; "Curies Children: Vilem Flusser on Discovery," by Vilem Flusser; "Special Effects: Carol Squiers on the News and its Pictures," by Carol Squiers; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Folio: Barbara Moore on Artists' Publications," by Barbara Moore; "Books: Daniel Soutif on L'Art Africain," by Daniel Soutif; "Dona Nelson's Time Pieces," by Lisa Liebmann; "The Closed Book : A Project for Artforum," by Michelangelo Pistoletto, photography by Ari Marcopoulos; "Franz West: The Antibody to Anti-Body," by Helmut Draxler; "Houses by Thomas Ruff"; "Through a Glass Darkly," by John Perreault; "Karen Finley's Poisoned Meatloaf," by Maria Nadotti; "Domestic Science," by Charles V. ... [details]
Issue edited by Ida Panicelli. Essays "Curies' Children: Vilem Flusser on Science," by Vilem Flusser; "Exits and Entrances: A Project for Artforum," by Marianne Goldberg; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Believe It or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]
Issue edited by Ida Panicelli. Essays "Curie's Children: Vilem Flusser on Science," by Vilem Flusser; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Believe it or Not: J. Hoberman on American Myths," by J. ... [details]