Inaugural issue of the ISCA Quarterley, a periodical containing the self-published work of 48 copier artists. Edited by Louise Neaderland. Artists include Mary Brownlow, Michael Hyatt, Lawrence List, Robert Bensick, Demarest-DeSando, Stuart Magazine, Rebecca Stuckey, Norine Spurling, Marilyn Hamann, Joel Swartz, Beatrice Schall, Tyler Hoare, Carolyn Berry, Alexander Aitken, Arthur Taussig, Bob Monahan, Patrick Bielman, Michael Reddy, Clayton Campbell, Thomas Stephens, Stephen Collins, Sheldon Polsky, Anton Ierubino, Virginia Holloway, Sari Dienes, Serse Luiggeti, Fay Zeitlin, Women's Studio Workshop, Janet Braun-Reinitz, Charles Malzenski, Clare Forster, Ann McNeil, Richard Torchia, Mitzi Humphrey, Linda Van Hart, Larry Walczak, Dianne Arndt, H. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Exhibition catalogue published in conjunction with show held in 2000."...Interpol is known mostly as the project where Alexander Brener destroyed the work of art of Wenda Gu and where Oleg Kulik performed a dog. ... [details]
Exhibition catalogue published in conjunction with show held May 10 - June 29, 2007. Essay by Betsy Fahlman. Artists include Herbert Adams, Carl E. Akeley, John White Alexander, Thomas Anshutz, Karel Appel, Richmond Barthé, Frédéric-Auguste Bartholdi, Antonie-Louis Barye, George Bellows, Thomas Hart Benton, Albert Bierstadt, Oscar Bluemner, Norman Bluhm, Ernest Blumenschein, Jacob Boelen, Isidore Jules Bonheur, Solon H. ... [details]
Exhibition catalogue published in conjunction with show held on March 10 - April 2, 1994. Interview with John Alexander conducted by George Plimpton. "At first glance, everything seems to be easily recognizable. ... [details]
Exhibition catalogue published in conjunction with show held February 1 - 24, 1990. Includes artist's biography and exhibition checklist. [details]
![Journal [LAICA Journal]](/objects/images/s31760.jpg "Journal [LAICA Journal]")
Fall 1984 issue of Journal, edited by Lane Relyea. Contents include: "Judy Fiskin's Photographs," by Richard Armstrong; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Crepe de Chine," by Kim MacConnel; "Paragraphs Toward an Essay Entitled 'Restoration Comedies,'" by Howard Singerman; "A New-Found Career," by Martha Rosler; "Images That Understand Us: A Conversation with David Salle and James Welling;" "The Poltergeist," by David Askevold and Mike Kelley; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. ... [details]
English edition edited by Philip Peters. Essays "Waiting for Muzot," by David Elliott; "Helmut Federle Interviewed," by Veit Loers; "Nie wieder Krieg," by Donald Judd; "The Current of the River of Life Moves Us," by Agnes Martin; "1 M; 1 STEP," by Alexander van Grevenstein; "Artist's Pages," by Mirjam de Zeeuw; "Art in the Nineties: Business Art, Piigs and Dessert Archictecture?" by Frans Haks; "An Old Chinese Adage, Sigmar Polke in Dutch Collections," by C. ... [details]
Survey of the work of L.A. based artists before 1980. Edited by Lyn Kienholz with contributing editors Elizabeta Betinski and Corinne Nelson. Includes appendix. "'L.A. Rising SoCal Artists Before 1980' is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles' art history. ... [details]
Exhibition catalogue published in conjunction with show held at the Art gallery of New South Wales, Sydney, Australia, september 22, 1991 - January 12, 1992. Essays by Thomas Krens, Umberto Eco and Fred Licht. ... [details]
