![Joseph Beuys : Holzpostkarte [Wooden Postcard]](/objects/images/s5261.jpg "Joseph Beuys : Holzpostkarte [Wooden Postcard]")
An open edition postcard featuring screenprinting on block of spruce wood by Joseph Beuys, originally printed in 1974. [details]
Exhibition catalogue published in conjunction with show held in 1974. Text by Christos M. Joachimides, excerpt from a text by Jose Pierre, and additional excerpted text by Pierre Faveton. Includes exhibition history, biography, and bibliography. ... [details]
Exhibition catalogue published in conjunction with show held in 1974. Essay by Emmanuel Mavrommatis with additional texts by Pierre Faveton in French. Biography, exhibition history, and bibliography in Italian. [details]
November 1974 issue of Studio International with front and back covers designed for this issue by David Hockney. Edited by Peter Townsend. Contents include: "Naturalism/modernism: a future for figurative painting," by John Clark; "Consensus painting and the Royal Academy since 1945," by Andrew Brighton; "Peter Downsbrough: two pipes, two lines;" artwork for the page by Downsbrough; "Art education and success," by Clive Ashwin; "Beckett & others & art: a system," by Peter Cook; "Review;" "Book Supplement," reviews by Howard Daniel, Martin Green, Ronald Hunt, Victor Schonfield, Robin Spencer, Francis Strauven, John A. ... [details]
January 1974 issue of Studio International with cover specially designed for this issue by Harold Cohen. Edited by Peter Townsend. Contents include: "Lawrence Weiner: The Books," by Eric Cameron; "Correspondence;" "On Purpose: an inquiry into the possible roles of the computer in art," by Harold Cohen; "Legend," photographs from Daniel Buren's new book; "A Victorian Radical Photographer: Peter Henry Emerson," by Peter Turner; "Tadeusz Kantor and his Cricot 2 theatre," by Wieslaw Borowski; "'Intimate scaffolding': Cezanne's drawings and watercolours," by Phillip Rawson; "Newman and the issue of subject matter," by Roelof Louw; and "Review. ... [details]
February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise; "Review. ... [details]
March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
April 1974 issue of Studio International with cover specially designed for this issue by Klaus Rinke. Edited by Peter Townsend. Contents include: "Art and industry: a systematic approach," by Bernard Smith; "Correspondence;" "On Mounds," by James Davis; "Memories of passing: a note on Richard Long," by R. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by Norman Stevens. Edited by Peter Townsend. Contents include: "The market system and the arts," by John Kenneth Galbraith; "Politics in art," by Su Braden; "Creativity at work - Artists' Space," by Derek Seagrief; "Phillip King," by Barry Martin; "The iconoclastic fury," by Andrei B. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by David Diao. Edited by Peter Townsend. Contents include: "Foreword;" "Bibliography;" "High Modern: an introduction to post-Pollock painting in America," by John Elderfield; "Correspondence;" "Modernist art 1960 to 1970," by E. ... [details]
