First issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "News;" "Spaces: Los Angeles Institute of Contemporary Art;" "Interviews: Suzanne Lacy by Richard Newton, Norma Jean DeAk by Moira Roth;" "Artist's Chronicle: Jill Scott, Barbara Smith, James Pomeroy, Paul DeMarinis, Darryl Sapien, Constancia Vokietaitis, Gina Pane, Alison Knowles, Jürgen Klauke, Paul McCarthy, Nancy Buchanan, Brian Dailey, Tony DeLap, Bradley Smith, Bob Wilhite, BDR Ensemble, Richard Turner, D. ... [details]
Exhibition catalogue published in conjunction with show held at Boston University Art Gallery, February 29 - April 1, 1984. Traveled to The Art Gallery, University of Maryland, College Park, January 24 - March 10, 1985; and The Frederick S. ... [details]
February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise; "Review. ... [details]
Exhibition catalogue published in conjunction with show held April 26 - September 15, 1991. Texts by Moira Roth, Brooks Adams, JoAnn Hanley, Teresa Velasquez, Rochelle Slovin, and Mary Jane Jacob. Includes artist's bibliography, exhibition chronology and checklist. [details]
Exhibition catalogue published in conjunction with show held February 22 - May 19, 2013. Curated by Janet Dees in collaboration with Linda Mary Montano. Includes texts by Janet Dees and Linda Mary Montano, and interviews with Moira Roth, Charles Duncan and Janet Dees. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
"It is perhaps unnecessary today to insist on Robert Smithson's authenticity. Despite his eulogy five years ago [1974] I found myself wishing to make 'great claims' for him, a wish I feel again now, on the publication of his essays. ... [details]
Guest edited by Martha Wilson. Cover by Tseng Kwong Chi. Essays "Editor's Statement," by Martha Wilson; "Artist's Pages," by Alastair MacLennan; "Resurrecting the 'Disappeared': Recollections of Artists in absentia," by Jacki Apple; " 'Presence' in absentia: Experiencing Performance as Documentation," by Amelia Jones; "Postcolonialism and Androgyny: The Performance Art of Grace Jones," by Miriam Kershaw; "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Mariana Abramovic," by Jennifer Fisher; "Some Relations between Conceptual and Performance Art," by Frazer Ward; "Wendy Geller's '48-Hour Beauty Blitz': Gender, Glass, and the Pleasures of Popular Culture," by Jayne Wark; "Saint Orlan Faces Reincarnation," by Jill O'Bryan; "A History of Performance," by Moira Roth. ... [details]
Compendium of materials chosen by Martha Wilson which have influenced her career and / or were milestones in it. Foreword by Kate Fowle. Introduction by Moira Roth. Texts by Martha Wilson, Laurence Sterne, Gertrude Stein, Simone de Beauvoir, Ellen Berscheid, Elaine Walster, R. ... [details]
Issue edited by Ingrid Sischy. Essays "Figuring it Out," by Klaus Kertess; "Visions and Re-Visions," by Moira Roth; "Slouch Stretch Smile Leap," by Carol Squiers; "Lisa Lyons," by Robert Mapplethorpe; "Editorial," by Ingrid Sischy; 'Action and Abstraction," by Mary Delahoyd; "Carolee Schneemann: The Woman Who Uses Her Body as Her Art," by Ted Castle; "The Doctors," by Stanley B. ... [details]