Journal [LAICA Journal]

No. 32 (Spring 1982)

Frances Colpitt, Donald Judd, Mark Johnstone, Michael Smith, Bob Smith, Sally Ruth Bourrie, Phyllis Tuchman, Allan Kaprow, Dan Giesler, Jan Butterfield, Greg Card, Henk Elenga, Jim Pomeroy, Chauncey Joe Stromie, James Alan Ganzer

Spring 1982 issue of Journal. Edited by Frances Colpitt. Contents include: "The Importance of Permanence," by Donald Judd; "Intentional Acts of Identification : Legrady and Maclay," by Mark Johnstone; "Mr. ... [details]

Journal [LAICA Journal]

Southern California Art Magazine / No. 29 (Summer 1981)

Susan C. Larsen, William Moritz, Douglas Edwards, Paul Arthur, Amy Taubin, Grahame Weinbren, David James, Samir Hachem, Mitch Tuchman, Robert Janz, Robert Flick, Jean-Pierre Gorin

Summer 1981 issue of Journal. Edited by Bridget Johnson. Contents include: "An Interview with Robert Flick," by Susan C. Larsen; "You Can't Get Then from Now: I. Oskar Fischinger, II. The Whitney Brothers" by William Moritz; "Bastian Cleve: Stranger in a Strange Land," by Douglas Edwards; "Tom Lesser: Coming into View," by Paul Arthur; "An Interview with Jean-Pierre Gorin," by Amy Taubin; "Taking Up Space: Brakhage, Snow and David Wilson," by Grahame Weinbren; "Light and Lost Bells: The Films of Chick Strand," by David James; "Now You See Them; Now You Don't: The Distributions and Exhibition of the Avant-Garde Film in Los Angeles," by Samir Hachem; " "No One Can Stop Me!" An Interview with John Dorr," by Mitch Tuchman; and "Pedagogic Transformations," by Robert Janz. ... [details]

Journal [LAICA Journal]

No. 34 (Fall 1982)

Michael Delgado, John Brumfield, John Whitney, Richard Hertz, Michael Delgado, Ken Friedman, George Herms, Wallace Berman, Robert L. Pincus, Michael Kohn, Marilyn Ekdahl Ravicz, Roger Herman, Jacobus Bos, Jim Morris, Jonathan Borofsky

Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]

Journal [LAICA Journal]

A Contemporary Arts Magazine / No. 33 (Summer 1982)

Ted Castle, David Carrier, Jeremy Gilbert-Rolfe, Geralyn Donohue, Joan Wallace, Thomas Lawson, Howard Singerman, Gerard Haggerty, Imogen Sieveking, John Brumfield, James Hugunin, Hesh Rosen, Benjamin Kaiser, Tom Wudl

Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser; "Colson's Corner," by unattributed artists. ... [details]

Journal [LAICA Journal]

No. 37, Volume 4 (September - October 1983)

William Brice, Richard Prince, Guy de Cointet, Herbert Jepson, Marjorie Rogers, George Goodman, Millard Sheets, Robert Irwin, Frederick S. Wight, Howard Warshaw, Susan Einstein, Oliver Andrews, Phyllis Plous, Emily Hicks, Suzanne Muchnic, Beverly O'Neill, John Beach, Judith Hoffberg, Gordon Wagner

September/October 1983 issue of Journal. Edited by Cindy Berry. Contents include:"Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T. ... [details]

Journal [LAICA Journal]

No. 31 (Winter 1981)

Peter Schjeldahl, Peter Plagens, Robert Atkins, Ronald Benom, Kevin Boyle, Carole Caroompas, Carl Cheng, Roy Dowell, Jud Fine, Nancy Hirsh, David Ireland, Mark Lere, Richard Lovelace, Patti Podesta, Sonya Rapoport, Bryan Rogers, Darryl Sapien, Jill Scott, Richard Turner, Bob Wilhite, Patrick Hogan

Winter 1981 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "L.A. Demystified," by Peter Schjeldahl; "Schjeldahl Demystified," by Peter Plagens; "Trends: Traditions and Dirt: An Opinionated Guide to the Current State of Art in Northern California," by Robert Atkins; "Exhibitions in Print," by Ronald Benom, Kevin Boyle, Carole Caroompas, Carl Cheng (John Doe Co. ... [details]

Journal [LAICA Journal]

Vol. 5, No. 43 (Winter 1986) [Misnumbered in issue as No. 42]

Lane Relyea, Michael Lesy, Connie Fitzsimons, Eric Bogosian, Gregory Lukow, Amy Gerstler, William Leavitt, Sylvia Kolbowski, Nic Greene, Jochen Gerz, William S. Burroughs, Judith Barry, Bob Perelman, Ron Linden, Walter Abish, Marina LaPalma, Robert C. Morgan, Cecile Abish, Johanna Drucker, Louis Hock, Elizabeth Sisco, Theresa Hak Kyung Cha, Bruce Meisner, Marc Schepers, Mark Greenberg

Winter 1986 issue of JOURNAL, edited by Lane Relyea. Contents include "Travelog: If You Die in the University Hospital," by Michael Lesy; "Seduction and Submission: A Study fo Ecstasy," edited by Connie Fitzsimons, with contributions and projects by Jochen Gerz, William S. ... [details]

Twentysix Gasoline Stations

[Third Edition]

Edward Ruscha

Edward Ruscha's first artist's book - and by far his best known title. Features black-and-white photographs of gasoline stations in California, Arizona, New Mexico, Oklahoma, and Texas captioned in all caps text with the name of the gas station pictured and it's location. [details]

National Excelsior Daily Journal for 1941

Edward Ruscha

1941 copy of a National Excelsior Daily Journal. This journal is the same type of day journal used by Ed Ruscha as a sketchbook, diary, documenting his early works. Ruscha would also appropriate the journal's name, National Excelsior, as the name of his own publishing imprint for his first artist's book, Twentysix Gasoline Stations. [details]