March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
Exhibition catalogue published in conjunction with shows held at two PaceWildenstein Gallery locations: at East 57th Street Gallery, New York, October 27 - November 25, 2000 and at their Lower East Side Space at Greene Street, October 13 - November 11, 2000. ... [details]
Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S. ... [details]
Multiple by Kenny Scharf produced by Ronald Feldman Fine Arts as their 1998 holiday project sent to friends and artworld colleagues in an edition of 270. "Yum" is comprised of a piece of cast and painted chocolate within a plexi box. ... [details]
Multiple by Komar & Melamid produced by Ronald Feldman Fine Arts as their 1987 holiday project sent to friends and artworld colleagues in an edition of 250. "Color is a Mighty Power" is comprised of six squares of colored plexi housed in a plastic box with a colophon indicating the healing powers and recommended durations of time of staring at each color, for example: for Gout look at Green for 3 min. ... [details]
Artist's book by John Baldessari. "This work is part of a series of works about choosing. In this version a group of green beans was available from which to choose. A participant was asked to choose any three beans from the group for whatever reasons he/she might have at the moment. ... [details]
Artist's book by John Baldessari that plays against his prior artist's book "Ingres and other Parables" (1972). Book consists of non sequitur parings of photographs and parable-esque texts, or morals, for art students and young artists. [details]
Set of nine 45 RPM 7-inch vinyl records housed in printed sleeves, containing appropriated field recordings collected by Jack Goldstein. Each record features the following recordings, printed on color vinyl:
"A German Shepard," on red vinyl
"A Swim Against the Tide," on blue vinyl
"A Faster Run," on orange vinyl
"The Tornado," on purple vinyl
"Two Wrestling Cats," on yellow vinyl
"Three Felled Trees," on green vinyl
"The Lost Ocean Liner," on black vinyl
"The Burning Forest," on marbled red and white vinyl
"The Dying Wind," on clear vinyl
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Multiple by Leon Golub produced by Ronald Feldman Fine Arts as their 1994 holiday project sent to friends and artworld colleagues. "INFVITABILE FATVM" is comprised of bone shaped dog biscuit wrapped with wire attached to a manila label stamped in green with the text "INFVITABILE FATVM. ... [details]
Annual periodical edited by William Seitz, "Contemporary Sculpture : Arts Yearbook 8," is a compendium of essays on sculpture of the early 1960s. This volume contains the first publication of Donald Judd's seminal essay "Specific Objects," as well as Judd's review of the Howard and Jean Lipman Collection. ... [details]
