Large-scale folded poster published in conjunction with a series of six readings held May 20 - 25, [1968] at the homes of six artists and writers in celebration of the publication of "The Young American Poets Anthology," edited by Paul Carroll with an introduction by James Dickey. ... [details]
November 14, [1969] issue of the periodical Fusion. Edited by Robert Somma. Contents include: "Editor's Page," by [Robert Somma]; "Letters;" "New;" "All We Were Sayin," by P.S. Golden; "Townes Van Zandt;" "Columbia Students Get a Job," by Earl Kirmser; "The Year of the Dead," by Lenny Kaye; "Keith Relf Returns;" "Praising Spirits," by Geoff Parker; "Have You Seen My Bonzo Dog Doo Dah?," by Loyd Grossman; "Mick Taylor [Mick Jagger] Interviewed," by Tony Norman; "The Great Divide," by Robert Somma, photographs by Roswell Angier; "West Coast Then. ... [details]
Catalogue for the auction of works from the collection of Robert C. Scull held at Sotheby's on October 18, 1973. Features works by Lee Bontecou, John Chamberlain, Dan Christensen, Willem de Kooning, Walter De Maria, Jim Dine, Mark di Suvero, Philip Guston, Robert Indiana, Jasper Johns, Franz Kline, Robert Morris, Barnett Newman, Claes Oldenburg, Larry Poons, Robert Rauschenberg, Larry Rivers, James Rosenquist, Lucas Samaras, George Segal, Frank Stella, Ernest Trova, Cy Twombly, Andy Warhol, Tom Wesselmann and Peter Young. ... [details]
Exhibition catalogue published in conjunction with show held in 1989. Text by Denis Diderot in German. Includes a checklist of the exhibition as well as a loose slipped in facsimile card of a Tuttle drawing describing how works are to be shown in the corners of the gallery. ... [details]
"Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator, and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
Avalanche magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
Issue edited by Liza Beár. This issue focuses on a series of events presented at 112 Greene Street as the Video Performance exhibition. Contents "Joseph Beuys: Public Dialogue," a transcript of the first hour of Beuys' first U. ... [details]
Fall 1988 issue of Between C and D. Edited by Joel Rose and Catherine Texier, printed on fan-fold tractor feed computer paper. Contents include: "Saliva of the Fittest," by Mark Leyner; "Maricarmen," by Lisa Teasley; "Suicide Ecstasy," by Bruce Benderson; "Creepy Sparrows," by Emily Prager; "Your Novel Approach," by Peter Cherches; "The Interpretation of Dreams," by Leslie Dick; "Obsessions of Our Time," by J. ... [details]
Quarterly feminist publication on art and politics. Issue edited by The Sexuality Issue Collective : Hannah Alderfer, Sandra De Sando, Beth Jaker, Kay Kenny, Suzanne Kessler, Wendy McKenna, Marybeth Nelson, Eddie M. ... [details]
Schedule of independent films shown at The Kitchen Center May 1, 2, 3, 1979. Featured films, organized by Leandro Katz, included Jack Goldstein's "Metro-Goldwyn-Mayer," "Bone China," and "The Jump," Ericka Beckman's "We Imitate; We Break Up," Beth B and Scott B's "Black Box," Viktor Vondracek's "Mrs. ... [details]
