Fall 1974 issue of the quarterly periodical Quadrille published by Bennington College. Guest edited by Sidney Tillim. Includes the text of the Hadley Lectures in Art Critcism held on the Bennington College campus in the Spring of 1974. ... [details]
Issue edited by John Coplans. Essays "Peter and the Pressure Cooker, " by Peter Plagens; "On the Nature of Pop," by Carl R. Baldwin; "Abstract Expressionism, Weapon of the Cold War," by Eva Cockcroft," New Japanese Photography," by Max Kozloff; "Video Art: Old Wine, New Bottle," by Allan Kaprow; "Painting Becomes Cyclorama," by Rosalind Krauss; "Malevich's Quest for Unconditioned Creativity, Part I," by Donald Kuspit; "Mel Bochner on Malevich, an Interview," by John Coplans. ... [details]
Issue edited by John Coplans. Essays "Just Another Rectangle Painter," by Peter Plagens; "Fooling the Eye," by Alfred Frankenstein; "Robert Grosvenor's Fractured Beams," by Joseph Masheck; "The Authoritarian Personality in Modern Art," by Max Kozloff; "Cecile Abish," by Lawrence Alloway; "Standish Lawder," by John W. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part One: Inside Information," by Lawrence Alloway; "Robert Mangold: An Interview," by Rosalind Krauss; "Robert Mangold: A Humanist Geometry," by Joseph Masheck; "The New Dialectic," by Lizzie Borden; "Vija Clemins," by Max Kozloff; "'Charlie was Like That,'" by Kermit Champa; "Joe Sarno, The Dismemberer," by Marshall Blonsky; "John White," by Peter Plagens; "Book Review," by Carl Baldwin. ... [details]
Issue edited by John Coplans. Essays "Nature as Artifact: Alan Sonfist," by Robert Joseph Horvitz; "Residual Sign Systems in Abstract Expressionism," by Lawrence Alloway; "Sense and Sensibility," by Rosalind Krauss; "Ellsworth Kelly at the Modern," by Joseph Masheck; "The Rivera Frescoes of Modern Industry at The Detroit Institute of Arts: Proletarian Art Under Capitalist Patronage," by Max Kozloff; "Mary Miss," by Laurie Anderson; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
April 1973 issue of Arts Magazine. Cover features Richard Serra's "Shift." Contributors include Andrei Boris Nakov, Jean-Claude Bonne, Willis Domingo, William C. Lipke, Cindy Nemser, Richard Serra, Rosalind Krauss, Jack Burnham, Howard Fried, Dan Graham, Bruce Boice, John Loring, Cara Montgomery, Paul Stitleman, Rosemary Mayer, Robert Pancoast Smith, Jane Bell, Ellen Lubell, Bill Dykes, Nancy Murray, Judith Tannenbaum, Andre Mikotajuk, and Gordon Brown. ... [details]
Issue edited by John Coplans. Essays "Things and Theories," by James Collins; "Max Ernst: Speculations Provoked by an Exhibition," by Rosalind Krauss; "Gerald Hayes: The Creativity of the Psychological Eye," by Virginia Gunter; "American Painting During the Cold War," by Max Kozloff; "No/Yes on the West Coast," by Peter Plagens; Meredith Monk: "An Introduction," by Angela Westwater; "A Metamorphic Theater," by Mark Berger; "Love and Death in Picasso's Early Work," by Theodore Reff; "Book Review," by Carol Duncan. ... [details]
Issue edited by John Coplans. Essays "Camera Lucida/Camera Obscura," by Annette Michelson; "Eisenstein on Mayakovsky," by Sergei Eisenstein; "Stan Brakhage: Four Films," by Paul Arthur; "The Third Meaning: Notes on Some of Eisenstein's Stills," by Roland Barthes; "'Scenes From Under Childhood,'" by Phoebe Cohen; "For God and Country," by Noël Carroll; "Montage 'October': Dialectic of the Shot," by Rosalind Krauss; "'Western History' and 'The Riddle of Lumen,'" by Fred Camper; "Stan and Jane Brakhage, Talking," by Hollis Frampton; "Brakhage Filmography," by Joyce Rheuban. ... [details]
Tenth Anniversary Issue edited by John Coplans. Essays "Network: The Art World Described as a System," by Lawrence Alloway; "The Trouble with Art-as-Idea," by Max Kozloff; "Talking at Pomona," by David Antin; "A View of Modernism, " by Rosalind Krauss; "Notes on Patronage: the 1960s," by Francis V. ... [details]
Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
