Issue edited by Joseph Masheck. Essays "American Women Architects," by John Lobell; "'Words': When Art Takes a Rest," by Jeff Perrone; "The Icon and Russian Modernism," by Margaret Betz; "Donald Judd: Past Theory," by Kenneth Baker; "Terry Fox Meanders," by Knute Stiles; "Outerbridge from Cubism to Fetishism," by Graham Howe; "Cruciformality," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Joseph Beuys," by Willoughby Sharp; "A Dan Flavin Retrospective in Ottawa," by Jack Burnham; "An Interview with Richard Van Buren," by Phyllis Tuchman; "Problems of Criticism VII: To Save Painting," by Justin Schorr; "Modern American Art at the Metropolitan Museum," by Philip Leider. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Pasadena's Collapse and the Simon Takeover, Diary of a Disaster," by John Coplans; "Museums and Unionization," by Lawrence Alloway; "Embalmed Objects: Design at the Modern," by Joseph Masheck; "Big Deals and Bitter Endings, The Hirshhorn Museum and Sculpture Garden," by Suzanne Stephens. ... [details]
Issue edited by John Coplans. Essays "Ilya Bolotowsky at the Guggenheim," by Roberta Smith; "Beyond Reductivism: The Work of Alan Sondheim," by Robert Joseph Horvitz; "Rauschenberg and the Materialized IImage," by Rosalind Krauss; "Traversing the Field. ... [details]
Issue edited by John Coplans. Essays "Brice Marden's Painting," by Jeremy Gilbert-Rolfe; "Incisions in History/Segments of Eternity," by Hollis Frampton; "Talking With William Rubin: 'The Museum Concept Is Not Infinitely Expandable;'" "Mondrian the New Yorker," by Joseph Masheck; "Leon Golub: Art and Politics," by Lawrence Alloway; "Jean Dupuy," by Alan Moore; "Reviews," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part One: Inside Information," by Lawrence Alloway; "Robert Mangold: An Interview," by Rosalind Krauss; "Robert Mangold: A Humanist Geometry," by Joseph Masheck; "The New Dialectic," by Lizzie Borden; "Vija Clemins," by Max Kozloff; "'Charlie was Like That,'" by Kermit Champa; "Joe Sarno, The Dismemberer," by Marshall Blonsky; "John White," by Peter Plagens; "Book Review," by Carl Baldwin. ... [details]
Issue edited by John Coplans. Essays "Yvonne Rainer, Part Two: 'Lives of Performers'," by Annette Michelson; "Microcosm to Macrocosm / Fantasy World to Real World," by Charles Simonds; "Maria Nordman," by Peter Plagens; "'Dada': a Code for Saints?," by John Elderfield; "Art and Art and Language," by Terry Smith; "Victor Burgin: Language and Perception," by Roelof Louw; "Jackie Winsor," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Virility and Domination in Early 20th-Century Vanguard Painting," by Carol Duncan; "Strike at the Modern," interview between Lawrence Alloway, John Coplans, Susan Bertram, Jennifer Licht, Joan Rabenau, Jane Fluegel; "Ree Morton: At the Still Point of the Turning World," by Lucy Lippard; "The Dada Actor and Performance Theory," by Annabelle Henkin Melzer; "Richard Hamilton: The Two Culture Theory," by James Collins; "Lee Krasner's Paintings, 1946-49," by Cindy Nemser; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
