Exhibition catalogue published in conjunction with show held at the Frankfurter Kunstvereins, September 30 - November 26, 1995. Essays by Wilfried Wiegand and Peter Weiermair. Artists in the exhibition include Berenice Abbott, Ansel Adams, Manuel Alvarez Bravo, Diane Arbus, Eugène Atget, Richard Avedon, Maurice Beck, Helen MacGregor, Hans Bellmer, Ruth Bernhard, Werner Bischof, Erwin Blumenfeld, Margaret Bourke-White, Brassaï, Anne Brigman, Francis Brugiuère, Robert Capa, Jewgeni Chaldej, Paul Citroen, Alvin Langdon Coburn, John Coplans, Imogen Cunningham, Fred Holland Day, Robert Demachy, Minya Diéz-Dührkoop, Robert Doisneau, Frantisek Drtikol, Harold Edgerton, William Eggleston, Gerard Pieter van Elk, Ed van der Elsken, Hugo Erfurth, Andreas Feininger, Larry Fink, Robert Frank, Mario Giacomelli, Ralph Gibson, Baron Wilhelm von Gloeden, Jan Groover, Hervé Guibert, Ernst Haas, Fritz Henle, Hugo Henneberg, Lewis Wickes Hine, Oscar Hofmeister, Theodor Hofmeister, Emil Otto Hoppé, Peter Hujar, Alfredo Jaar, Bill Jacobsen, Gertrude Käsebier, André Kertész, William Klein, Barbara Klemm, François Kollar, Josef Koudelka, Germaine Krull, Heinrich Kühn, Jacques-Henri Lartique, Erna Lendvai-Dircksen, Felix H. ... [details]
Exhibition catalogue published in conjunction with show held on the 35th anniversary of the Angela Flowers Gallery. Introduction by Robert Heller. Artists include Glenys Barton, Glen Baxter, George Blacklock, Boyd and Evans, Edward Burtynsky, Stephen Chambers, Bernard Cohen, Ken Currie, Amanda Faulkner, John Gibbons, Alan Gouk, Friedemann Hahn, David Hepher, Nicola Hicks, Derek Hirst, Carole Hodgson, Peter Howson, Patrick Hughes, Neil Jeffries, Lucy Jones, John Keane, Michael Kidner, John Kirby, Henry Kondracki, Tim Lewis, John Loker, John McLean, Jiro Osuga, Eduardo Paolozzi, Freya Payne, Tom Phillips, Steven Pyke, Carol Robertson, Tai-Shan Schierenberg, Jack Smith, Richard Smith, Trevor Sutton, Renny Tait, Brian Wall and Gary Wragg. [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Exhibition in the form of a book published April - May, 2020. "Without a place to go to experience art and without a place to go to share art. Thinking the next best thing to an object is not an online viewing room but a page. ... [details]
