Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff. ... [details]
Issue edited by Ingrid Sischy. Essays "The Gallery as a Gesture," by Brian O'Doherty; "The Radiant Child," by Rene Ricard; "A Project," by Nicholas Nixon; "Absent-Minded Female Nude on Bed," by Peter Schjeldahl; "Not Post-Modernism: History as Against Historicism, European Archetypal Vernacular in Relation to American Commercial Vernacular, and the City as Opposed to the Individual Building," by Dan Graham; "Looking at Life," by Carol Squiers; "A Conversation with Pontus Hulten About the New Los Angeles Museum of Contemporary Art. ... [details]
Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R. ... [details]
Issue edited by Ingrid Sischy. Essays "Editorial: An Appreciation of H.C. Westermann; "Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke," by Benjamin H.D. Buchloh; "Approaching the Abyss: Monet's Era," by Roger Shattuck; "Strangers in a Strange Land: Timothy O'Sullivan and Henry Adams," by Colin Westerbeck; "Scattered Pictures: The Movies of Werner Schroeter," by Gary Indiana; "Looking Up at Jeff Wall's Modern 'Appassionamento,'" by Donald Kuspit; "Clay and Bronze," a project by Lucas Samaras; "Books: Robert Kushner on 'Man as Art,'" by Robert Kushner. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]