Exhibition catalogue published in conjunction with auction held October 2006. Artists include Chris Ofili, Fred Tomaselli, Marcel Dzama, Jockum Nordström, Roni Horn, Mamma Andersson, Roger Andersson, Jules Balincourt, Chinatsu Ban, Whitney Bedford, Tim Braden, Santiago Cucullu, Wade Guyton, Matthew Day Jackson, Rosa Loy, Dave Miko, Takashi Murakami, Enoc Perez, Jon Pylypchuk, James Reilly, Florian Slotawa, C. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
Exhibition brochure published as a supplement to the catalogue "Adrian Piper : A Synthesis of Intuitions," published in conjunction with the exhibition "Adrian Piper: A Synthesis of Intuitions, 1965–2016," held at The Museum of Modern Art, March 31 - July 22, 2018. ... [details]
Multipart invitation to the preview and opening of the exhibition "Adrian Piper : Concepts and Intuitions, 1965 – 2016," organized by The Museum of Modern Art, New York, and held at the Hammer Museum, Los Angeles, October 7, 2018 - January 6, 2019. ... [details]
Autumn / Winter 2007 issue of Afterall. Contributors include Yto Barrada, Gillian Carnegie, Ulrike Ottinger, Christopher Williams, Claire Barliant, Anthony Huberman, Lars Bang Larsen, Peter Osborne, Jeff Wall, Hildegund Amanshauser, Eva Meyer, Homay King, Martin Prinzhorn, Mark Godfrey, Monica Szewczyk, Barry Schwabsky, Nadia Tazi, and Rasha Salti. [details]
First of two issues of the critical theory periodical edited by Kevin Lole, Philip Pilkington and David Rushton, not dissimilar from Art-Language in style and substance. Essays include "Don Judd's Dictum and Its Emptiness," by Philip Pilkington and David Rushton; "On Asserting," by Rushton; "Duchampian Delinquency and the Constitutive Cure," by Pilkington; "Progress in Art and in Science," by Lole; "Obligations," by Terry Atkinson & Michael Baldwin; "Hierarchies: A Note," by Graham Howard; "The Grammarian," by Ian Burn & Mel Ramsden; "Phenomenology as a Hermeneutic of Art," by Peter Smith; and "The Myth of the Aesthetic Attitude," by Christopher Willsmore. [details]
Exhibition catalogue published in conjunction with show held January 8 - February 1, 1986. Essay by Christopher Knight. Includes exhibition checklist and bibliography. [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Exhibition catalogue published in conjunction with show held October 28, 2001 - February 17, 2002. Essays by Christopher Ransmayr, Markus Brüderlin, Mark Rosenthal and Katharina Schmidt. Includes Exhibition checklist, selected exhibition history and selected bibliography. [details]
