All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. ... [details]
June 1970 issue of Art-Language edited by Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, and Joseph Kosuth. Contents include: "Proceedings: Society for Theoretical Art and Analyses," by Ian Burn, Mel Ramsden, and Roger Cutforth; "Art Enquiry (2)," by Mel Ramsden; "(i) Concerning Some Theories and their Worlds," by Graham J. ... [details]
Exhibition catalogue / artist's book published in conjunction with show "Collaborations," held September 14 - October 15, 1983. "Collaborations," was a counterpart exhibition to "ABHASA : Image - Bearing Light," held concurrently at the Fisher Gallery, University of Southern California, Los Angeles. ... [details]
Summer 1972 issue of Art-Language. Contents include: "Some Questions on the Characterization of Questions," by Ian Burn and Mel Ramsden; "Information," by Terry Atkinson and Michael Baldwin; "Art Language and Art-Language," by Ian Burn and Mel Ramsden; "Interim Remarks," by Harold Hurrell; "Lupus in Fabula," by David Bainbridge; and "In Reply," by Victor Burgin. [details]
February 1972 issue of Art-Language. Contents include: "Unnatural Rules and Excuses," by Terry Atkinson and Michael Baldwin; "Four Wages of Sense," by Ian Burn and Mel Ramsden; "Aspect of Authorities," by Philip Pilkington, David Rushton, and Kevin Lole; "On Material-Character / Physical-Object Paradigm of Art," by Terry Atkinson and Michael Baldwin; and "Ontological Relativity: A Note," by Graham Howard. [details]
February 1970 issue of Art-Language edited by Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, and American editor Joseph Kosuth. Contents include: "Introductory note by the American Editor," by Joseph Kosuth; "Untitled," by David Bainbridge; "Three from May 23rd, 1969," by Frederic Barthelme; "Notes on Marat," by Stephen McKenna; "Plans and Procedures," by Michael Baldwin; "Dialogue," by Ian Burn; "Moto-Spiritale," by Robert Brown-David Hirons; "From an Art & Language Point of View," by Terry Atkinson; "Concerning Interpretations of the Bainbridge/Hurrell Models," by Terry Atkinson; "Notes on Atkinson's 'Concerning Interpretation of the Bainbridge/ Hurrell Models,'" by Harold Hurrell; "Sculptures and Devices," by Harold Hurrell; "Conceptual Art: Category & Action," by Michael Thompson; and "Notes on Genealogies," by Mel Ramsden. [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Exhibition catalogue published in conjunction with show held May 19 - June 19, 1969, and symposium held June 17, 1969 via telephone hook-up form New York, Ottawa and Burnaby. Short texts by the artists in the exhibition describing their work. ... [details]
First printing of the first issue of Art-Language. Edited by Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell. Contents include: "Introduction;" "Sentences on Conceptual Art," by Sol LeWitt; "Poem-schema," by Dan Graham; "Statements," by Lawrence Weiner; "Notes on M1 (1)," by David Bainbridge; "Notes on M1," by Michael Baldwin; "Notes on M1 (2)," by David Bainbridge. [details]