Accordion folded brochure published in conjunction with show held at the Museum of Modern Art, New York, in 1966. Curated and with a text by WIlliam H. Gerdts. Artists included Robert Arnason, Nell Blaine, George Brecht, William Brice, Robert Dash, Richard Diebenkorn, Jane Freilicher, Paul Georges, Michael Goldberg, Red Grooms, Geoffrey Hendricks, Jasper Johns, Roy Lichtenstein, Walter Murch, Claes Oldenburg, Felix Pasilis, Fairfield Porter, James Rosenquist, Paul Thek, Wayne Thiebaud, George Wardlaw, Andy Warhol, Robert Watts, James Weeks, Tom Wesselmann, and Manoucher Yektai. [details]
March 18-24, 1981 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "Cable's Big Bucks," by Bob Brewin; "Twyla Tharp's Erotic Muscle," by Marcia B. Siegel; "Willie Nelson: The New Bing Crosby?" by Tom Carson; "The Berrigan Trial's Suppressed Testimony," by Robert Jay Lifton, George Wald, Richard Falk, and Robert C. ... [details]
December 23, 1981 - January 5, 1982 issue of SoHo News. Issue edited by John Leese. Cover stories include: "Thigh Tech," John Lombardi on Pilobolus; "New Twist in Atlanta Murders," by Stanley Pinsley; "Tom Lehrer is My Father," by Richard Corliss; "Down and Out in London," by Mick Farren; "'Dreamgirls' Dreamboy," by Peter Occhiogrosso; "Underwear's Brief Lives," by Ann Magnuson; "Cranking Out," by Roy Blount, Jr. ... [details]
November 18-24, 1981 issue of SoHo News. Issue edited by John Leese. Cover stories include: "Brad Dourif is Truly Weird," by Carol Caldwell; "Is Ben Bradlee Fit to Print?" by A. Craig Copetas; "Riled in the Streets," by Michael Daly; "Mass Appeal's Cardinal Sin," by Enrique Fernandez; "Inside the Quaalude Clinic," by Norman Green; and "Who's Been Grunting at Jackie O?" by Cyndi Stivers. ... [details]
February 25 - March 3, 1981 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "N.Y.T.B. Tuberculosis is Spreading," by David Weinberg; "L.A.Rocks," by Mick Farren/Roy Trakin; "Bucking Bonzo's Art Budget," by Gerald Marzorati. ... [details]
Critical theory essay on pop art by Rosalind Constable, dated October 29, 1962. The essay discusses the turning away from abstract expressionism toward pop art, or "The New Realism," illustrated with images of the work of British pop artists Peter Phillips, John Latham, Patrick Hughes, Richard Hamilton, Derek Boshier, R. ... [details]
Press release published in [1972] by Florynce Kennedy and Ti-Grace Atkinson / W.A.R.N. (Women Against Richard Nixon) stating intention to build a coalition in support of a third party with the aim of cutting into the "'popular' image" of Nixon and prevent his re-election, and the election of any Republican or Democrat. [details]
Flyer / poster published in conjunction with show held March 23 - April 12, 1962. Artists included Robert Beauchamp, Nell Blaine, James Brooks, Charles Cajori, Giorgio Cavallon, Jean Cohen, Elaine de Kooning, Perle Fine, Jane Freilicher, Sidney Geist, Michael Goldberg, Sidney Gordin, John Grillo, Joseph Groell, Philip Guston, Alex Katz, Sally Hazelet, Angelo Ippolito, Ben Isquith, Corrado Marcarelli, Al Jensen, Lester Johnson, Joseph Stefanelli, Ibram Lassaw, William King, Nicholas Marsicano, Fred Mitchell, Joan Mitchell, George Ortman, Fairfield Porter, Philip Pearlstein, Milton Resnick, Raymond Rocklin, Ludwig Sander, Miriam Schapiro, Sal Sirugo, David Smith, George Spaventa, Richard Stankiewicz, Earl Kerkam, Jane Wilson, Albert Terris, Franz Kline, Jack Tworkov, and Esteban Vicente. [details]
Program for the performance of "The Tinguely Machine Mystery or The Love Suicides at Kaluka," a play by Kenneth Koch performed at The Jewish Museum, New York, December 22, 1965. Directed by Remy Charlip and Kenneth Koch; music by Morton Feldman; bridge built by Larry Rivers, Syd Solomon, and Howard Kanovitz; machines by Jean Tinguely; lighting by Nikola Cernovich; technical staff: Felix Lau. ... [details]
Single fold card / announcement published in conjunction with the world premiere of Hans Richter's film "8 x 8" held March 15, 1957. Written, designed, produced and directed by Richter with the aid of Jean Cocteau. ... [details]
