Edited by Tod Lippy. Essays "Off-Off-Broadway: Four Vietnam veterans recount their experience of touring the war's front lines with a 1969 production of The Fantasticks," by Rick Holen, Joe Mauro, John Nutt, and Bob Sevra; "Bern Porter: A Found Essay: A composite portrait of the late artist, philosopher, poet, and scientist," by Mark Melnicove; "Where to go / What to do / When in New York / Week of June 17, 1972: Long before there were mashups, there was Bern Porter: a fascimile edition of the underground legend's 1974 artist's book," by Bern Porter; "100 Frames: Killer of Sheep (1977): Stills from director Charles Burnett's first feature, recently inducted into the Library of Congress's National Film Registry," introduction by Armond White; "Chamber Pieces: Striking images of-and from-an obsolete tool of 20th-century physics," by Peter Galison; "Modern Artifacts: States of Grace: This latest offering from the MoMA Archives features materials relating to the late painter Grace Hartigan," by Michelle Elligott; "Esopus CD #12: Black and White. ... [details]
Edited by Tod Lippy. Contents "Writer," by Frank Rich; "Artist's Project," by Sylvia Plimack Mangold; "Novelist," by Christopher Isherwood; "Mathematician," by John Conway; "Poet," by Suji Kwock Kim; "Artist's Project," by Colter Jacobsen; "Production Designer," by Thérès Deprez; "Alex Shear's Object Lesson #5," by Alex Shear; "Comedian," by Demetri Martin; "Artist's Project," by Xylor Jane; "Survivor," by Samuel Varkovitzky; "Chronologer," by Angus Trumble; "Espus CD #6: Help Wanted," songs "Girls: Must Be Single and Very Pretty," by Ambrosia Parsley and The Elegant Too; "Western Director," by The Strugglers; "Sex Surrogate," by LD and the New Criticism; "Laboratory Technician (We Will Walk Through Walls)," by Electric President; "Astronomer," by Owen Tromans; "A Taste of the Keys," by Amy Rigby; "The Nurse," by Devendra Banhart and Noah Georgeson; "Nude Not Required," by Marissa Nadler; "Systems Thinking Business Modelling Consultant," by Magnetophone and John Darnielle; "Pine Cone Café," by Grizzly Bear. [details]
Periodical edited (collated, printed primus inter motherfucker) by Ed Sanders, "dedicated to the Nonviolent Holocaust, the fitness of the flaming Ra-cock, the Divine Lake in the Spray, Peace Eye, Yeidarb the Boy of the North, the writhing lamb-fuck, Dope-law defiance, Guerilla Lovefare walkers & stomper for Peace, submarine boarders, the voyage of the Brain Lights, Queen Marijuana bestower of peace, abundance, & the flame fuck, and to the Dirty-word meltout, anarchistos, and all those groped by J. ... [details]
Issue edited by Edit deAk and Walter Robinson. Essays "Polemic," by Edward Pursor; "Cultural Imperialism, Provincialism, and The New Internationalism"; "A Nebulous Art Presence"; "An Article on Scott Burton In the Form of a Resumé"; "Artists Don't Only Make Art -- They Are Also Artists"; "A Late Night Conversation with Addi," translated by Irene von Zahn; "A Serious Proposal for Nelson Rockefeller"; "Ça Va? Pas Mal. ... [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)"; "Conversation with Brice Marden. ... [details]
Issue edited by Joshua Cohn, Walter Robinson, and Edit de Ak. Essays "Anarchitecture in Englewood: Clean Cut," by A.R. [Art-Rite]; "Take Two," by Laurie Anderson; "Beuys: The Coyote," Caroline Tisdall; "'We Humans:' California Surfaces in New York," by Holly Solomon; "Tripletake"; "RM at TOP-W/View"; "Vernacular Myth"; "For Artists' Rights," by Rubin Gorewitz; "An Archipelago of Privacies," by Alan Sondheim; "Irving Sandler: A Modest Undertaking; Serious Business"; " Jack Smith: Excerpts form a Talking Performance"; "Bob-E the Life and Times of"; Bugs Delà"; "Notes," by Robert Pincus-Witten; "Listening to Glass," by John Howell; "We Asked a Number of Artists to Respond to This: Make a Political Statement," statements by Ray Johnson, Jon Hendricks, Jean Toche, Kenmare Mott, Adrian Piper, May Stevens, Scott Burton, Howardena Pindell, Rudy Burckhardt, Willoughby Sharp, Agnes Denes, Leonel Gongora, A. ... [details]
Issue number 3 of Art-Rite edited by Walter Robinson, Edit deAk and Joshua Cohn. Contents include: "112 Greene," by Stephanie Edens; "Reorganizations;" "Rites of Fall," by Barbara Thompsen; "Pincus-Witten;" "Magazine Project: Two Non-done Works," by Peter Grass; "Jackie Ferrara;" and "Mark Miller. ... [details]
Issue edited by Walter Robinson, Joshua Cohn, and Edit deAk. Essays "Big Boys Downtown," by Edward Pursor; "Downhome Organic Technology," by Alan Suicide; "Making Things," by Bill Bollinger; "L.A. in N. ... [details]
Documents exhibitions from the first eight years of the New York alternative art space 112 Workshop. Entries are organized in chronological order, with textual information on the artists involved in each exhibition, as well as full page reproductions of works shown. ... [details]
