A professional and personal autobiography that provides insightful commentary on everything from art and criticism to race and gender relations. Volume 1. Includes some illustrations in black-and-white. ... [details]
A professional and personal autobiography that provides insightful commentary on everything from art and criticism to race and gender relations. Volume 2. Includes some illustrations in black-and-white. ... [details]
A comprehensive book of writings by artists. Photographs selected and arranged by Barbara Bloom. Cover and end-papers by Richard Prince. Edited by Brian Wallis. Foreword by Marcia Tucker. Texts by David Wojnarowicz, Laurie Anderson, Robert Smithson, Matt Mullican, Sherrie Levine, Bruce Nauman, John Baldessari, Jenny Holzer, Allan Sekula, Adrian Piper, Martha Rosler, Thomas Lawson, Eric Bogosian, Spalding Gray, Simon Watney, Edgar Heap of Birds, Sekou Sundiata, Peter Nadin, Cookie Mueller, Kathy Acker, Lynne Tillman, Gary Indiana, Victor Burgin, Ross Bleckner, David Salle, Peter Halley, Judith Barry, Dan Graham, William Wegman, Yvonne Rainer, Barbara Kruger, Richard Prince and others. ... [details]
Issue edited by Philip Leider. Essays "The Art of H.C. Westermann," by Dennis Adrian; "The Constructivist Ethos, Part I," by Ronald Hunt; "New Paintings by Albert Stadler," by Kermit Champa; "Chuck Ginnever," by Lawrence Alloway; "Problems of Criticism, I: Varieties of Critical Experience," by Robert Goldwater; "Morandi: A Critical Note and a Memoir," by Sidney Tillim; "The Trouble with Russian Painting," by Robert Pincus-Witten; "Bruce Conner Makes a Sandwich," by Bruce Conner. ... [details]
Issue edited by Philip Leider. Essays "The Genesis of Jackson Pollock," by Francis V. O'Connor; "Billy Al Bengston's 'Dentos,'" by Fidel A. Danieli; "Jackson Pollock and the Modern Tradition, Part IV," by William Rubin; "Talking with Roy Lichtenstein," by John Coplans; "The Collages of Arthur Dove," by Dorothy Rylander Johnson; "Walter Sickert," by David Sylvester; "Ingres Centennial at the Fogg," by Robert Pincus-Witten; "Paul Klee at the Guggenheim," by Gert Schiff; "Irving Petlin," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Walker Evans: Photography as Representation," by Sidney Tillim; "Brancusi," by Sidney Geist; "Ronald Bladen's 'Black Triangle,'" by Lucy Lippard; "Jackson Pollock and the Modern Tradition, Part II,'" by William Rubin; "Medieval Manuscripts at Berkeley," by Palmer D. ... [details]
One of the most important publication of the 1970s conceptualism edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Only three issues published between 1975 and 1976. ... [details]
An amazing, complete, reprint of the classic artists' periodical "0 to 9," including "Streetworks" in full facimiley. "From 1967 to 1969, Vito Acconci & Bernadette Mayer collected the works of the some of the most exciting artists and writers for their mimeographed magazine, '0 to 9. ... [details]
Exhibition catalogue published in conjunction with show held June 1982 - October 1984. Curated by Michel Claura, the exhibition occurred in an abandoned Paris church, which was to be demolished by the neighboring Curie Institute, and each artist was invited to use the interior and exterior spaces of the church as he or she saw fit. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
