Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "'Magritte's Inaccessible Woman," by Elena Calas; "Mikhail Vrubel: Madness and Art," by Ann Farkas; "Charles Simonds' Emblematic Architecture," by Kate Linker; "Existential Formalism: The Case of Sharon Gold," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Leon Polk Smith: The Completely Self-Referential Object," by Ted Castle; "Neo-Neo," by Joseph Masheck; "Space and Subectivity: Four Painters," by Anita Feldman; "Stealing Time: An Ontological Odyssey," by Peter Plagens; "Avant-Garde Issues in Seventies Music," by Thomas DeLio; "Clinton Hill," by Jeremy Gilbert-Rolfe; "Books: Where the English Draw the Line," by Stephen Bann. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "A Chameleon in a State of Grace: Francesco Clemente," by Edit deAk; "American Abstract Sensationalism," by J. Hoberman; "STRIKE," a project by Jonathan Borofsky; "The Works and Writings of Daniel Buren: An Introduction to the Philosophy of Contemporary Art," by Jean-François Lyotard; "Smithson's Site/Non-Site: New York City Walk," by Amy Baker; "Scandal's Witnesses: Grafting Smithson on Bataille," by Nicolas Calas; "Books," by Parker Hodges, Joseph Masheck, Artforum; "Reviews by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
Issue edited by Jack Bankowsky. Essays, Artforum '62 - '79, "Ars Longa, Pecunia Brevis," by John Irwin; "Phil Leider, Editor: No Phil, No Forum," by Walter Hopps; "Phil Leider, Editor: He Was a Great Editor," by Richard Serra; "Phil Leider, Editor: He Was Extremely Talkative," by Irving Blum; "Phil Leider, Editor: He Was Extremely Terse," by John Coplans; "Phil Leider, Editor: He Called Me Chuck," by Chuck Close; "Phil Leider, Editor: He Was a Great Editor, and He Loved his Wife," by Michael Fried; "John Coplans: A Conversation with Peter Plagens"; "Let Slip the Dogs of War: Editing Artforum," by Angela Westwater; "Charles Cowles: A Conversation with Henry Geldzahler"; "The Page Was My Party," by Robert Pincus-Witten; "Yours Faithfully, Joseph Masheck," by Joseph Masheck. ... [details]
