Single sided flyer published in conjunction with performances held on January 29 and 30, 1963. Performers included: William Davis, Ruth Emerson, Fred Herko, John Herbert McDowell, Steve Paxton, Yvonne Rainer, Carolee Schneemann, Elaine Summers, La Monte Young, Richard Andrews, Trisha Brown, Lucinda Childs, Philip Corner, Judith Dunn, Robert Dunn, Arlene Goldstein, Malcolm Goldstein, Deborah Hay, [Robert] Bob Huot, [Robert] Bob Morris, and Simone Morris [Forti]. [details]
Arts and letters periodical. Contributions by Beth B, Duncan Smith, Tom Otterness, Dorian Brew, Robert Cooney, Betsy Sussler, Nancy Murray, Bruce Wolmer, Terence C. Sellers, Seth Tillet, Tim Burns, Kathy Acker, Vivienne Dick, Diego Cortez, Scott B, Rene Ricard, Anya Phillips, Kirsten Bates, Robin Winters, Randi Cohen, Anonymous, Duncan Hannah, Ilona Granet, Marcia Resnick, F. ... [details]
Two-sided announcement card published in conjunction with Elizabeth Peyton's first exhibition with Gavin Brown's Enterprise, held March 4 - March 25, 1995. At this time Brown's gallery was a very small single room storefront located at 558 Broome Street (next door to Claes Oldenburg's studio). ... [details]
Edited by J.M Sherry and Barbara Ess. Layout by [Barbara] Ess, J.M. Sherry, and Christine Hahn. Artist's projects by Michael Warren Powell, Mr. Mental, Ellen Bruno, Gail Vachon, Peter Velez, Ray Matthews, Becky Howland, Ann Mesner, Glenn Branca, J. ... [details]
First artist''s book by Jenny Holzer consisting of line drawings of found and appropriated diagrams.
What did you write?
This is a bit embarrassing, but one dark to light green material made me think of the depths of the ocean, so I wrote oceanographic information.
...
[details]
Issue edited by John Irwin. Essays "Joan Brown," by Philip Leider; "Tapies," by Don Factor; "Four Drawings," by Frank Lobdell; "Three Major Group Exhibitions," by John Coplans, Philip Leider; "Jacques Lipchitz," by Gerald Nordland; "The Santa Barbara Museum Drawing Collection," by Alfred Moir. ... [details]
Book published in conjunction with poetry slam held at "Cafe Dan Graham," New York, Sunday July 10th presented by Mieko Meguro's 3A Gallery. Participants were instructed to read their poems and discuss "Does Poetry have meaning today?" Moderated by Trevor Shimuzu. ... [details]
Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World: Arthur C. Danto on Haruspicy," by Arthur C. Danto; "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "Slant: Manohla Dargis on the Deadman," by Manohla Dargis; "Museum Piece: A Project for Artforum," by William Anthony; "The Cave: Marco Giusti on Federico Fellini," by Federico Fellini; "Troubleshooters: Stuart Morgan on English Drag," by Stuart Morgan; "Curies' Children: Vilém Flusser on Future Architecture," by Vilém Flusser; "Left-Right: A Project for Artforum," by Judy Pfaff; "Requiem for the Degas of the B-Boys: Keith Haring," by Robert Farris Thompson; "Light in Geometry: A Project for Artforum," by Dorothea Rockburne; "Fausto Melotti, The Enchanted Lyricist," by Jole de Sanna; "The Weather is Here, Wish you Were Beautiful," by John Miller; "Invocations of The Surge Protector: Doug Hall," by Bill Berkson; "Heads: A Project for Artforum," by Jeanne Dunning; "Syncopated Thriller: Dennis Potter's Singing Detective," by Therese Lichtenstein; "Joyce Kozloss's Crimes of Passion," by Peggy Phelan; "Modernism's Many Lives: David Diao," by Bruce Ferguson. ... [details]
"In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. ... [details]
