Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. ... [details]
Exhibition catalogue published in conjunction with show of texts and text-based works written and sent by the artists to the Museum Dhondt-Dhaenens, Deurle, Belgium, where they were exhibited from July 11 - August 12, 1973. ... [details]
Book published in conjunction with poetry slam held at "Cafe Dan Graham," New York, Sunday July 10th presented by Mieko Meguro's 3A Gallery. Participants were instructed to read their poems and discuss "Does Poetry have meaning today?" Moderated by Trevor Shimuzu. ... [details]
Artist's book by Mieko Meguro featuring drawings of her late partner the artist Dan Graham, accompanied by a very personal letter to him discussing her feelings of loss. [details]
Three artists in conversation around the work of Julia Scher including Dan Graham, Antoine Catala and Mieko Meguro. Edited and prefaced by Franck Gautherot. The first book in the collection "Dan Graham - Melánges. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Folded poster / announcement published in conjunction with the inaugural exhibition at P.S.1 held June 10 - 26, 1976 featuring site specific installations in the rooms of the then largely un-renovated building. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976, featuring site-specific installations in the rooms of the then largely unrenovated building. The publication includes brief text by participating artists; executive director, Alanna Heiss; and program director, Linda Blumberg; with installation images and images of artists installing their works. ... [details]
