Exhibition catalogue published in conjunction with show held October 9, 1969 - February 8, 1970. Text by Henry Geldzahler, with additional contributions by Michael Fried, Clement Greenberg, Harold Rosenberg, Robert Rosenblum, and William Rubin. ... [details]
History of Max's Kansas City with over 200 black and white photographs, profiles, memorabilia, and hundreds of personal reminiscences and testimonials. Texts by Yvonne Sewall Ruskin, Lou Reed, Leee Black Childers, Kent Wallace, Taylor Mead, Gerard Malanga, Cherry Vanilla and Jeremiah Newton. ... [details]
Exhibition catalogue published in conjunction with show held May 20 - September 10, 1967. Curated by Richard Bellamy, Lucy R. Lippard, Leah R. Sloshberg. Texts by Lippard. Artists included: Josef Albers, Stephen Antonakos, Richard Anuszkiewicz, Billy Apple, Milton Avery, Ben Berns, Ralph Albert Blakelock, Unberto Boccioni, Pierre Bonnard, Charles Burchfield, Chryssa, John Constable, Jean Baptiste Camille Corot, Gustave Courbet, William Crosby, Charles François Daubingy, Giorgio de Chirico, Edgar Degas, Eugéne Delacroix, Robert Delaunay, Charles Demuth, Sally Hazelet Drummond, Jean Dubuffet, Louis Eilshemius, James Ensor, Dan Flavin, Arshile Gorky, Dan Graham, G. ... [details]
Exhibition catalogue published in conjunction with museum-quality show held at Gagosian Chelsea, New York, September 12 - October 19, 2002. Essay by Kirk Varnedoe written shortly prior to his death, interview by Roberta Bernstein with Irving Blum. ... [details]
Exhibition catalogue published in conjunction with show held June 26 - August 16, 2002. Introduction by Michael Tolkin. Artists include Robert Adams, Diane Arbus, Robert Bechtle, Vija Celmins, John Currin, Tim Davis, Keith Edmier, Eric Fischl, Maureen Gallace, Robert Gober, Todd Haynes, Edward Hopper, Bill Owens, Charles Ray, Joel Shapiro, Cindy Sherman, Stephen Shore, Steven Spielberg, Joel Sternfeld, Hiroshi Sugimoto and Henry Wessel. [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part II," by Albert Elsen; "Serial Imagery," by John Coplans; "Edward Hopper," by Jerrold Lanes; "John D. Graham," by Irving Sandler; "A Reconstituted Diary, Greece, 1967," by Lucas Samaras; "The Films of Jean-Luc Godard," by Manny Farber; "New Paintings by Darby Bannard," by Kermit Champa. ... [details]
Exhibition catalogue published in conjunction with show held March 17 - July 28, 1996. Traveled September 21, 1996 - January 5, 1997, Wexner Center for the Arts, Columbus, Ohio; June - September 1997, Palazzo delle Esposizioni, Rome, Italy; October 11, 1997 - January 21, 1998, Museum of Contemporary Art Chicago, Illinois. ... [details]
Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated by Douglas Blau, with essay by Blau. Includes works by Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. ... [details]
Edited by Tod Lippy. Essays "The Sissy Letters (#3): Third in a continuing series of monologues from the New York playwright," by Stephen Adly Guirgis; "Marwencol on my Mind: After a brutal attack, an artist stages a recovery by creating a fictional town in his backyard," photographs by Mark Hogancamp; "Light Unseen: A distinguished lighting designer directs attention to an unacknowledged art form," by Jennifer Tipton; "Let a Thousand Drawings Bloom: An animated legend shares his collection of preparatory sketches for one frame of the Disney classic Fantasia (1940)," by John Canemaker; "Folk+Art: "Jondaje the Pheasant Hunter" This Dungan myth inaugurates our ongoing series of folktales interpreted by contemporary artists," translated by Kenneth J. ... [details]
Historical examination of The Ferus Gallery, Los Angeles CA. Written and organized by critic and journalist, Kristine McKenna. "Prior to the opening of The Ferus Gallery in 1957 it was virtually impossible to see contemporary art in Los Angeles. ... [details]