Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. ... [details]
2006 facsimile edition of the exhibition catalogue published in conjunction with the show "Villa Jelmini - The Complex of Respect," held January 28 - March 26, 2006. This catalogue is a fateful reproduction of the catalogue originally published in conjunction with the show held March 22 - April 27, 1969. ... [details]
Issue edited by Bice Curiger. Essays "Marie José Burki: Das Zittern der Dinge," by Daniel Kurjakovic; "Peter Hujar," by Nan Goldin; "Vija Celmins: Material Fictions," by Nancy Princenthal; "Night, Sleep, Death and the Stars," by Jim Lewis; "Vija Celmins in conversation with Jeanne Silverthorne," by Vija Celmins; "Vija Celmins' Play of Imitation," by Richard Shiff; "On the Melancholy of Vantage Points," by Jean-Pierre Criqui; "Andreas Gursky: Painter of New Theaters of Action," by Jacqueline Burckhardt; "Brasilia: Vanishing Points," by Neville Wakefield; "How Familiar is it?," by Collier Schorr; "Guess Who's Coming to Dinner," by Alexandre Melo; "Forget about the Ball and Get on with the Game," by Liam Gillick and Rirkrit Tiravanija; "En route," by Richard Flood and Rochelle Steiner; "Micromegas," by Lynne Cooke; "The Trap Slams Shut: Andreas Slominski," by Noemi Smolik; "Jean Painlevé and Mark Dion; "A Wordscape. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Body's Shadow Realm," by Gertrud Koch; "Looking Awry," by Slavoj Žižek; "The Sartorial Superego," by Joan Copjec; "Spectacle, Attention, Counter-Memory," by Jonathan Crary; "The Rock 'n' Roll Ghost," by Andrew Ross. [details]
Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Andy Warhol, or The Machine Perfected," by Thierry de Duve; "The Aesthetic Transformation of the Image of the Unimaginable," by Gertrud Koch; "Anselm Kiefer: The Terror of History, the Temptation of Myth," by Andreas Huyssen; "Fatal Attractions: Leni Riefenstahl's The Blue Light," by Eric Rentschler; "Contribution to Points of Reference 38/88," by Hans Haacke; "The Monument is Invisible, the Sign Visible," by Werner Fenz; "A Note on Gerhard Richter's October 18, 1977," by Benjamin H. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Philosophical Brothel," by Leo Steinberg; "The Word of God: "I am dead,' " by Denis Hollier; "Foucault's Art of Seeing," by John Rajchman. [details]
Summer 1987 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Jeremy Bentham's Panoptic Device," by Jacques-Alain Miller; "Postmodern History at the Musée d'Orsay," by Patricia Mainardi; "Learn to Read, She Said," by Ann Smock; "Ramble City: Postmodernism and Blade Runner," by Guiliana Bruno; "An Interview with Steve Fagin," by Peter Wollen; and "Gramophone, Film, Typewriter," by Friedrich Kittler. [details]
Issue edited by Bice Curiger. Essays "Trickster Eva Hesse," by Ursula Panhans-Bühler; "Clockwork (Jon Kessler)," by Douglas Blau; "Stephan Balkenhol: The Figure as Witness," by Neal Benezra; "As Time goes by," by Vik Muniz; "Autonomous People," by Max Katz; "57 Pinguine," by Jean-Christophe Ammann; "Sophie Calle's Uncertainty Principle," by Luc Sante; "Postcards to Sophie Calle," by Joseph Grigely; "The Hyperfiction of Life and Death," by Patrick Frey; "Sophie Calle's and Gregory Shepard's Double Blind," by Robert Beck; "Dimensions variable: Liz Larner," by Kirby Gookin; "Rudolf Schwarzkogler," by László F. ... [details]
July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. ... [details]
