Issue edited by John Coplans. Essays "Things and Theories," by James Collins; "Max Ernst: Speculations Provoked by an Exhibition," by Rosalind Krauss; "Gerald Hayes: The Creativity of the Psychological Eye," by Virginia Gunter; "American Painting During the Cold War," by Max Kozloff; "No/Yes on the West Coast," by Peter Plagens; Meredith Monk: "An Introduction," by Angela Westwater; "A Metamorphic Theater," by Mark Berger; "Love and Death in Picasso's Early Work," by Theodore Reff; "Book Review," by Carol Duncan. ... [details]
Issue edited by John Coplans. Essays "Rays of Hope, Particles of Doubt," by Peter Plagens; "The Birth of de Stijl, Part Two: Bart van der Leck," by Rudolf W. Oxenaar; "Hans Haacke's Gallery Visitors' Profile," by Hans Haacke and Bruce Boice; "Rose Hobart and Monsieur Phot: Early Films from Utopia Parkway," by Annette Michelson; "The Uncanny Portrait: Sander, Arbus, Samaras," by Max Kozloff; "Seeing Stella," by Louis Finkelstein; "Notes on Batya Zamir," by Lucinda Childs; "Book Review," by Mel Bochner. ... [details]
Issue edited by John Coplans. Essays "In Memoriam: Joseph Cornell," by Hans Namuth; "Kozloff: Criticism in Absentia," by Preston Heller and Andrew Menard; "Sam Francis: From Field to Arabesque," by Lawrence Alloway; "Some Splashes in the Ebb Tide," by Robert Morris; "Lucinda Childs: A Portfolio," by Lucinda Childs; "Miró," by Kermit Champa; "Frederick Law Olmsted and the Dialectical Landscape," by Robert Smithson; "After the Quality Problem," by Bruce Boice; "Book Review," by Max Kozloff. ... [details]
Issue edited by John Coplans. Essays "Mark di Suvero," by Carter Ratcliff; "Digressions on the Photographic Agony," by Hollis Frampton; "Robert Smithson's Development," by Lawrence Alloway; "Atget's Trees," by Max Kozloff; "Jungian Aspects of Jackson Pollock's Imagery," by Judith Wolfe; "Eva Hesse: Last Words," by Robert Pincus-Witten; "Man Ray as Film Maker," by Steven Kovács; "The Venice Film Festival," by Manny Farber and Patricia Peterson; "Book Review," by lawrence Alloway. ... [details]
Issue edited by John Coplans. Essays "Documenta: A Portfolio:" "'Reality': Ideology at D5," by Lawrence Alloway; "Claes Oldenburg, An Interview," by Angela Westwater Reaves; "Cultural Confinement," by Robert Smithson; "Adversary Spaces," by Carter Ratcliff; "Cosmologies," by Lizzie Borden. ... [details]
Tenth Anniversary Issue edited by John Coplans. Essays "Network: The Art World Described as a System," by Lawrence Alloway; "The Trouble with Art-as-Idea," by Max Kozloff; "Talking at Pomona," by David Antin; "A View of Modernism, " by Rosalind Krauss; "Notes on Patronage: the 1960s," by Francis V. ... [details]
Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Evaluations and Re-Evaluations," by Sidney Tillim; "Soutine and the Problem of Expressionism," by Hilton Kramer; "Romantic Painting in England," by Jerrold Lanes; "The Shape of the Art Environment," by Allan Kaprow; "Richard Van Buren, David Novros, Charles Ross," by Emily Wasserman; "New Paintings by Larry Poons," by Kermit Champa; "Greg Card and Mary Corse," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Dada, Surrealism and their Heritage," "1. A Beautiful Exhibition," by Philip Leider; "2. The Surrealist Emigres in New York," by Irving Sandler; "3. Surrealist Composition: Surprise Syntax," by Ellen Mandelbaum; "Judd at the Whitney," by Jane Harrison Cone; "On Frontality," by Rosalind E. ... [details]
