One book of the set of ten artist's books by Ida Applebroog in the Galileo Series featuring repeated images interspersed with text, creating a cinematic effect through repetition and sparse evocative language. ... [details]
One book of the set of ten artist's books by Ida Applebroog in the Galileo Series featuring repeated images interspersed with text, creating a cinematic effect through repetition and sparse evocative language. ... [details]
One book of the set of ten artist's books by Ida Applebroog in the Galileo Series featuring repeated images interspersed with text, creating a cinematic effect through repetition and sparse evocative language. ... [details]
One book of the set of ten artist's books by Ida Applebroog in the Galileo Series featuring repeated images interspersed with text, creating a cinematic effect through repetition and sparse evocative language. ... [details]
One book of the set of ten artist's books by Ida Applebroog in the Galileo Series featuring repeated images interspersed with text, creating a cinematic effect through repetition and sparse evocative language. ... [details]
This book acts as second volume to Judd's collected writings published by Nova Scotia College of Art and Design / New York University Press [Donald Judd, The Complete Writings 1959-1975 : Gallery Reviews, Book Reviews, Articles, Letters To The Editor, Statements, Complaints (1975/2004)] and contains 17 essays not in the previous volume. ... [details]
Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. ... [details]
Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
Exhibition catalogue published in conjunction with show held at Robert Miller Gallery, New York, in November, 1987. Book design by Edward Ruscha and John Chiem with artwork documentation by Paul Ruscha. [details]
Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S. ... [details]